Two new picture books show us nonbinary and gender creative kids having imaginative adventures in their fun, welcoming, queer, and sometimes magical communities.
A More Graceful Shaboom, written by Jacinta Bunnell and illustrated by Crystal Vielula (PM Press), is a surreal romp of a book that follows Harmon Jitney, a nonbinary child with “an extravagant collection of belongings” that they find hard to keep organized. They decide a purse is the answer, but their two mothers and sister are too busy with their own projects to help. Mama Millie Mapletush, for example, is “building an XJ-6350 Millennium Bipedal Astro Welding Robot from scratch,” whose components include a dishwasher and a movie theater popcorn machine.
Finally, a gender creative neighbor says he has a collection of purses, though he can’t quite remember where he put them. He and Harmon look behind a series of doors that reveal things as varied as a giant Muffin Monster, polar ice caps, and 66,500 Brussels sprouts. Ultimately, they find the purses. Harmon selects the purse of their dreams and proceeds to collect all of their treasured things into it, from belongings to friends, town, and, well, the entire universe. The magical ending is a celebration of community and love.
There’s an inspired silliness about the whole tale. It’s unclear exactly what age group the book is targeting, though, as the wordiness and level of vocabulary seem geared far above the usual picture-book range. Not that I’m against books that stretch young readers in this regard; adults should just be aware that they may need to do some explaining as they read through the book with kids, as least the first few times. What I appreciate most about it, though, is that the book isn’t “about” gender or identity, but rather about gender diverse characters simply having joyous adventures. We need more books like this.
Another new book that takes a similar joyous approach is Hooray, What A Day!/¡Viva, Qué Día! by Molly Allis, available through Allis’ website. The bilingual book is an extension of All Together Now, an animated kids’ show that Allis is creating. The show stars a child named Frankie, described as gender non-conforming in the show notes, who uses “they” pronouns and lives with their grandma. Frankie’s best friend is Jesse, who lives with his two dads and uses male pronouns, but likes to wear skirts, jewelry, and sometimes makeup. The book takes us on a day-long adventure as the two friends explore their queer and colorful community. They go to a parade, visit the community garden, stop at the cafe owned by one of Jesse’s dads, and make zines at the local bookstore.
Queerness is everywhere—Grandma makes rainbow pancakes and has Indigo Girls and ACT UP posters in her kitchen; we see rainbow and trans flags in the community; and several characters at the parade are clearly gender creative. More general progressive messages are also strewn throughout: one character wears a “Black Lives Matter” shirt; the parade marchers carry signs saying, “Otro Mundo Es Posible,” and “Be the Change.” At the end of the day, after storytime with Grandma, Frankie reflects on how happy they are to have spent the day in their community with friends and chosen family.
Hooray, What A Day!/¡Viva, Qué Día! doesn’t have the fantastical tone of A More Graceful Shaboom, but Allis’ multi-colored people and richly detailed backgrounds are equally imaginative and fun. Potential readers should know, though, that while queerness abounds in the community, Frankie and Jesse’s identities aren’t clear from the book alone, but only from the show notes on Allis’ website. We don’t learn that Frankie uses “they”; we might assume from the illustrations that Jesse is a cisgender, gender conforming girl; we meet one of Jesse’s dads, but never know he has two. It’s true that the story isn’t “about” Frankie and Jesse’s gender or family structure, and as I’ve explained, we need more stories like that. But is the lack of clarity about their identities a missed opportunity for queer representation or a chance for readers to assume identities for them that the readers can relate to, no matter what the author intended? I leave that to your interpretation. (Now that you’ve read this post, of course, you can inform young readers of the author’s intended identities for the characters as you see fit.)
Regardless, the community that Allis depicts is clearly full of other, if minor, characters who are more obviously queer, and it’s packed full of queer iconography. Frankie and Jesse are at ease with it all, so even if their identities are here unknown, this remains an empowering, queer-inclusive book that will brighten any bookshelf. Let’s hope there are more books (along with the still-pending show) about the diverse people of this cheery and inclusive world.
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