For fans of Leah on the Offbeat and Laura Dean Keeps Breaking Up with Me, Anna Birch’s I Kissed Alice is a romantic comedy about enemies, lovers, and everything in between.
Rhodes and Iliana couldn’t be more different, but that’s not why they hate each other.
Rhodes, a gifted artist, has always excelled at Alabama’s Conservatory of the Arts (until she’s hit with a secret bout of creator’s block), while Iliana, a transfer student, tries to outshine everyone with her intense, competitive work ethic. Since only one of them can get the coveted Capstone scholarship, the competition between them is fierce.
They both escape the pressure on a fanfic site where they are unknowingly collaborating on a webcomic. And despite being worst enemies in real life, their anonymous online identities I-Kissed-Alice and Curious-in-Cheshire are starting to like each other… a lot. When the truth comes out, will they destroy each other’s future?
Lily Rose is used to people paying attention to her gorgeous twin sister, Daisy. But even though Lily loves her own fat body, she can’t shake the idea that no one would ever choose her over Daisy – not when they could have the thin twin.
That is, until she meets Cal, the gorgeous, sweet guy from New Zealand who can’t seem to stay away. The gorgeous, sweet guy who also happens to be Daisy’s summer crush. Lily can’t seem to figure out why she isn’t as into him as she should be. She should be head-over-heels in love, not missing time at the ice-cream shack with her life-long best friend, Cassie. Not wondering what Cassie is getting up to with Cal’s friend Jack, or what she’s thinking about when they’re alone . . .
With University threatening to tear Cassie and Lily apart at the end of summer, trying to keep Cal a secret from Daisy and a growing right-wing threat disturbing the usual quiet of their pleasant seaside town, Lily’s summer is set to be far from relaxing.
Melt My Heart is a hilarious and inspiring coming-of-age YA novel from Bethany Rutter: influencer, editor and a fierce UK voice in the debate around body positivity.
Flora Calhoun has a reputation for sticking her nose where it doesn’t belong. After stumbling upon a classmate’s body years ago, the trauma of that discovery and the police’s failure to find the killer has haunted her ever since. One night, she gets a midnight text from Ava McQueen, the beautiful girl who had ignited Flora’s heart last summer, then never spoke to her again.
Just in time to witness Ava’s death from a gunshot wound, Flora is set on a path of rage and vengeance for all the dead girls whose killer is never found. Her tunnel-visioned sleuthing leads to valuable clues about a shocking conspiracy involving her school and beyond, but also earns her sinister threats from the murderer. She has a choice: give up the hunt for answers, or keep digging and risk her loved ones’ lives. Either way, Flora will regret the consequences. Who’s next on the killer’s list?
Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.
But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.
Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there?
The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.
Faith Herbert is a pretty regular teen. When she’s not hanging out with her two best friends, Matt and Ches, she’s volunteering at the local animal shelter or obsessing over the long-running teen drama The Grove.
So far, her senior year has been spent trying to sort out her feelings for her maybe-crush Johnny and making plans to stay close to Grandma Lou after graduation. Of course, there’s also that small matter of recently discovering she can fly….
When the fictional world of The Grove crashes into Faith’s reality as the show relocates to her town, she can’t believe it when TV heroine Dakota Ash takes a romantic interest in her.
But her fandom-fueled daydreams aren’t enough to distract Faith from the fact that first animals, then people, have begun to vanish from the town. Only Faith seems able to connect the dots to a new designer drug infiltrating her high school.
But when her investigation puts the people she loves in danger, she will have to confront her hidden past and use her newfound gifts—risking everything to save her friends and beloved town.
Melissa Bashardoust’s Girl, Serpent, Thorn is “an alluring feminist fairy tale” (Kirkus Reviews) about a girl cursed to be poisonous to the touch and who discovers what power might lie in such a curse.
There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away, apart from her family, safe only in her gardens, it’s not just a story.
As the day of her twin brother’s wedding approaches, Soraya must decide if she’s willing to step outside of the shadows for the first time. Below in the dungeon is a demon who holds knowledge that she craves, the answer to her freedom. And above is a young man who isn’t afraid of her, whose eyes linger not with fear, but with an understanding of who she is beneath the poison.
Soraya thought she knew her place in the world, but when her choices lead to consequences she never imagined, she begins to question who she is and who she is becoming…human or demon. Princess or monster.
Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that’s perfect for fans of A Curse So Dark and Lonely.
It’s 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl’s display of finery. If a suitable match is not found, the girls not chosen are never heard from again.
Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella’s mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all–and in the process, they learn that there’s more to Cinderella’s story than they ever knew . . .
This fresh take on a classic story will make readers question the tales they’ve been told, and root for girls to break down the constructs of the world around them.
Dan and Liss are witches. The Black Book granted them that power. Harnessing that power feels good, especially when everything in their lives makes them feel powerless.
During a spell gone wrong, Liss’s boyfriend is snatched away by an evil entity and presumed dead. Dan and Liss’s friendship dies that night, too. How can they practice magic after the darkness that they conjured?
Months later, Liss discovers that her boyfriend is alive, trapped underground in the grips of an ancient force. She must save him, and she needs Dan and the power of The Black Book to do so. Dan is quickly sucked back into Liss’s orbit and pushes away her best friend, Alexa. But Alexa has some big secrets she’s hiding and her own unique magical disaster to deal with.
When another teenager disappears, the girls know it’s no coincidence. What greedy magic have they awakened? And what does it want with these teens it has stolen?
Set in the atmospheric wilds of California’s northern coast, Sasha Laurens’s thrilling debut novel is about the complications of friendship, how to take back power, and how to embrace the darkness that lives within us all.
The summer after riding shotgun on the nerdiest odyssey this side of the Pecos, plucky misanthrope Ryland Taggart finds herself on a Tuscan farm assisting her dangerously impractical botany professor investigate a rash of unexplained crop failures. They find more than they were prepared for when Ryland begins to get nightly visits from the ghost of 19th-century bandit-king, Domenico Tiburzi, pleading with her to save the land.
Si deve seguire il raggio verde, he implores. You must follow the green ray.
When she is given an 1883 edition of Jules Verne’s The Green Ray accompanied by a photo of an unnamed woman, Ryland takes up Tiburzi’s challenge and embarks on a cross-European quest to uncover the farm’s mysterious past. But can she escape the ghosts at her heels—both the mostly dead kind and the phantoms woven from her own regrets—long enough to find how the farm’s destiny is entwined with her own?
Sawkill Girls meets Beautiful Creatures in this lush and eerie debut, where the boundary between reality and nightmares is as thin as the veil between the living and the dead.
If I could have a fiddle made of Daddy’s bones, I’d play it. I’d learn all the secrets he kept.
Shady Grove inherited her father’s ability to call ghosts from the grave with his fiddle, but she also knows the fiddle’s tunes bring nothing but trouble and darkness.
But when her brother is accused of murder, she can’t let the dead keep their secrets.
In order to clear his name, she’s going to have to make those ghosts sing.
Family secrets, a gorgeously resonant LGBTQ love triangle, and just the right amount of creepiness make this young adult debut a haunting and hopeful story about facing everything that haunts us in the dark.
The epic, can’t-miss follow-up to the New York Times bestselling Avatar, The Last Airbender:The Rise of Kyoshi
Kyoshi’s place as the true Avatar has finally been cemented—but at a heavy cost. With her mentors gone, Kyoshi voyages across the Four Nations, struggling to keep the peace. But while her reputation grows, a mysterious threat emerges from the Spirit World. To stop it, Kyoshi, Rangi, and their reluctant allies must join forces before the Four Nations are destroyed irreparably. This thrilling follow-up continues Kyoshi’s journey from a girl of humble origins to the merciless pursuer of justice still feared and admired centuries after becoming the Avatar.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in “Donoghue’s best novel since Room” (Kirkus Reviews)
In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia’s regimented world step two outsiders — Doctor Kathleen Lynn, a rumoured Rebel on the run from the police , and a young volunteer helper, Bridie Sweeney.
In the darkness and intensity of this tiny ward, over three days, these women change each other’s lives in unexpected ways. They lose patients to this baffling pandemic, but they also shepherd new life into a fearful world. With tireless tenderness and humanity, carers and mothers alike somehow do their impossible work.
In The Pull of the Stars, Emma Donoghue once again finds the light in the darkness in this new classic of hope and survival against all odds.
Xeni is a first-generation Greek American, raised in the Greek Orthodox faith, and trained in all the essential skills of a traditional Greek housewife. She knows how to make any Greek dish scrumptious, but the one recipe she hasn’t mastered is how to make a baby―by virgin birth. Xeni is a lesbian and struggles daily to resolve what she wants with what doesn’t―praying for a miracle.
Meanwhile, free-spirited Callie, who ended up with a baby conceived during a boozy one-night stand, is trying to bridge a cultural divide with Gus, her Greek American baby daddy, by learning to cook just like his mother. When Xeni spots Callie in the produce aisle selecting limp spinach and tofu for spanakopita, she’s compelled to offer her assistance. After all, food can create miracles, and they both need one.
With undeniable chemistry from their first cooking lesson, Xeni and Callie sublimate their intense attraction to one another by creating mouthwatering meals. But their good intentions are blown to shreds when Gus’s mother arrives from Greece and decides that Xeni, not Callie, would make the perfect Greek wife for Gus. Now Xeni must once and for all reconcile her religious beliefs with her sexuality―and decide which love is ultimately the higher power.
The Feasting Virgin is a delectable novel that is full of heart, humor, magical realism and a veritable feast full of tasty recipes.
My Favorite Girlfriend was a French Bulldog is a novel told in fifteen stories, linked by the same protagonist, our narrator, who–in her own voice and channeling the voices of others–creates an unsparing, multigenerational portrait of her native Cuba. Though she feels suffocated by the island and decides to leave, hers is not just a political novel–nor just a queer novel, an immigrant novel, a feminist novel–but a deeply existential one, in which mortality, corporeality, bureaucracy, emotional and physical violence, and the American Dream define the long journey of our narrator and her beloved pet dog, who gives the book both its title and its unforgettable ending. In its daring style and structure–both playful and profound, youthful and mature – and its frank discussion of political and sexual identity, My Favorite Girlfriend was a French Bulldog marks the emergence of an original and essential new voice.
Utopia Avenue is the strangest British band you’ve never heard of. Emerging from London’s psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of ’68.
David Mitchell’s kaleidoscopic novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times; of fame’s Faustian pact and stardom’s wobbly ladder; of the families we choose and the ones we don’t; of voices in the head, and the truths and lies they whisper; of music, madness, and idealism. Can we really change the world, or does the world change us?
Raised on a small island in North Carolina’s Outer Banks, Willa has a picture-perfect nautical life: hanging out at the beach with her friends, living in a cozy seaside cottage, working at a sailing store, and running a hugely popular sailing Instagram. It’s so convincing that her overzealous online followers register her to compete in the High Seas, a televised national sailing championship.
Too bad Willa doesn’t actually know how to sail.
Desperate to protect her carefully curated life, Willa tracks down four-time High Seas champion Lane Cordova, and begs her for a crash course in sailing before the race begins. But Lane’s mastery of the water is matched only by Willa’s ineptitude—and her growing crush on Lane isn’t helping matters. When the competition threatens to go awry and take her idealized life with it, Willa has to figure out if she can save her reputation from sinking while taking a chance on love.
Junior-high school nurse Rebecca Newsome was an experienced hiker―until she plummeted to her death at the bottom of a ravine in a Columbus metro park. Her daughter, Maggie, doesn’t believe it was an accident, and Rebecca’s ex-husband is her prime suspect. But he’s a well-connected ex-cop and Maggie is certain that’s the reason no one will listen to her. PI Roxane Weary quickly uncovers that the dead woman’s ex is definitely a jerk, but is he a murderer?
As she pieces together the days before Rebecca died, what Roxane finds doesn’t quite add up. From a series of trips to Detroit and across the border to a casino in Windsor, Canada, to strange calls from Rebecca’s home to a charismatic political candidate, to a women’s health organization, to a secretive church group that seems to have more information about its members than it should, Roxane needs to figure out how everything is connected before a dangerous secret gets someone else killed.
A modern-day noir featuring a twisty cat-and-mouse chase, this dark debut thriller tells the story of a woman who makes a living taking down terrible men…then finds herself in over her head and with blood on her hands. The only way out? Pull off one final con.
Jo’s job is blackmailing the most lecherous men in Los Angeles–handsy Hollywood producers, adulterous actors, corrupt cops. Sure, she likes the money she’s making, which comes in handy for the debt she is paying off, but it’s also a chance to take back power for the women of the city. Eager to prove herself to her coworker Lou and their enigmatic boss, known only as the Lady Upstairs, Jo takes on bigger and riskier jobs.
When one of her targets is murdered, both the Lady Upstairs and the LAPD have Jo in their sights. Desperate to escape the consequences of her failed job, she decides to take on just one more sting–bringing down a rising political star. It’s her biggest con yet–and she will do it behind the Lady’s back, freeing both herself and Lou. But Jo soon learns that Lou and the Lady have secrets of their own, and that no woman is safe when there is a life-changing payout on the line.
A delicious debut thriller crackling with wit and an unforgettable feminist voice, The Lady Upstairs is a chilling and endlessly surprising take on female revenge.
Wynn Jamison is turning thirty. Her career has made her rich, but her love life is sorely lacking. She’s okay with that until she spends her birthday dinner with the woman who could’ve changed it all. There’s only one problem. She’s married to Wynn’s sister.
Carly Evans is tired of her wife ignoring her needs to put her career first. Family has always been important to her, and Jordan just doesn’t seem to care.
A freak thunderstorm rages during the night, and Wynn finds herself catapulted back in time to the day she made the worst decision of her life―stepping aside to let her sister romance Carly. Reliving the day over and over again, Wynn must decide what is most important: success, loyalty, or love. Given a second chance at happiness, will she take the opportunity and change her destiny?
Josephine Wilder’s torrid love affair is with Tangle Valley Vineyard, her family’s legacy. She’s grown up dreaming between the vines. She’s always had secret ideas about how to make the place shine, so when it passes to her, Joey vows to make Tangle Valley everything she knows it can be. Her biggest obstacle? That overly commercial hotel going up, and the uppity manager trying to kill the vineyard’s rustic charm.
Becca Crawford loves to unwind with a good glass of wine. An astute business woman who has climbed the hospitality ladder, she’s the perfect person to head up Elite Resorts’ newest property, The Jade Hotel, and give tourists all the luxury they desire. As a bonus, The Jade is not far from the cutest vineyard with the best pinot she’s ever tasted. If only the captivating owner would get on board with her plan and stop badmouthing the hotel to everyone in town.
Is it possible that a nice glass of red could help Becca and Joey see each other in a new and alluring light?
Carmen Malone’s love life was sadder than a soufflé. Every new relationship puffed up with hope and then fizzled just as quickly once her partners got comfortable. Was is possible she was a magnet for all the cheaters in the Tri-state area? She was in love with the idea of love, and the perfect relationship, but had no idea how to execute it unless it was in the form of a twelve tier wedding cake… complicated, covered in fondant, and sticky sweet.
Louisa Cox could spot a bad dye job and split ends a mile away. Her salon, the Vodka and Wash was the best day spa boutique in upstate NY. She worked her tail off to get this far in her career, and for what it was worth, she wasn’t about to lose it… until Carmen walked in looking like Medusa with trust issues as wide as the Grand Canyon. Louisa was willing to give love a second chance, but a reluctant Carmen shot her down.
Carmen was stuck between a doughnut and a croissant and there was no cronut on the planet that could help her figure it out. Guys? Girls? It was a nightmare series of bad dates until she met Louisa. Now she has to decide, keep pleasing those around her or step out and start pleasing herself?
After Daphne accidentally “steals” a family heirloom from Nina’s front lawn thinking it’s junk left for trash pickup, she learns she’s wanted by the police for questioning. Once the dust settles, Daphne and Nina form a friendship inspired by their mutual love for antiquing and a desire for a fresh start in their lives.
As they grow closer, their attraction moves way beyond friends. But who will be brave enough to confess her feelings first? Daphne, the self-conscious procrastinator who’s working hard to get her new business off the ground, or Nina, the newly-out mom whose priority is creating a stable life for her son? Before they can take a chance on becoming lovers, they’ll have to decide if love is worth the risk.
Can two women who only want to be loved, find a home in each other when the world around them is moving too fast for them to settle down?
Growing up in an intolerant town, Latrisha Martin was used to shrinking the most important parts of herself. She hid her loneliness within a busy life and kept the yearning in her heart tucked away from those closest to her. Just as the façade became too heavy to maintain, Trisha received wise words from a strange woman that helped redirect her life’s journey. On a whim, she relocates to Houston, and while adjusting to a new normal, she finds that those desires she’d once hidden begin to manifest in ways she never imagined.
With her star attached to a rocket ship, Xenobia Cooper was quickly transforming from a locally known talent into a name known in households across the nation. Viewed as an overnight success to many, the only thing that the veteran of the Houston underground music scene hadn’t prepared for was living a life without someone to come home to at the end of the day. A reckless tweet sent out in the middle of the night brings an influx of women with stars in their eyes, but they all lack the key component that Xeno is looking for. A chance encounter after her largest show to date and she’s convinced that those things she’d hoped for are just within her grasp.
When Agatha Griffin finds a colony of bees in her warehouse, it’s the not-so-perfect ending to a not-so-perfect week. Busy trying to keep her printing business afloat amidst rising taxes and the suppression of radical printers like her son, the last thing the widow wants is to be the victim of a thousand bees. But when a beautiful beekeeper arrives to take care of the pests, Agatha may be in danger of being stung by something far more dangerous…
Penelope Flood exists between two worlds in her small seaside town, the society of rich landowners and the tradesfolk. Soon, tensions boil over when the formerly exiled Queen arrives on England’s shores—and when Penelope’s long-absent husband returns to Melliton, she once again finds herself torn, between her burgeoning love for Agatha and her loyalty to the man who once gave her refuge.
As Penelope finally discovers her true place, Agatha must learn to accept the changing world in front of her. But will these longing hearts settle for a safe but stale existence or will they learn to fight for the future they most desire?
Constable Bridget “Marley” Marlowe is always doing the wrong thing for the right reason. This time she’s skating the line of police procedure by protecting a young girl caught up in her father’s designer street drug ring. But when Marley gets injured, she needs help from someone she can trust.
Dr. Devon Wolfe is a burned out psychologist on leave from her job in a busy hospital trauma unit. When Devon meets the injured Marley, she doesn’t know what to make of the bright and beautiful―and occasionally rogue―cop. Devon decides to help Marley and gets mixed up in the world of addictive street drugs, a young girl who knows something but won’t speak, and the uncertainty of knowing right from wrong. All Devon knows is she and Marley are in this together.
Megan Harris had hopes of seeing the world, but at twenty-five she’s never even left Florida. Now a wedding invitation lures her to Quebec…in February. When her ex-friend Scarlett offers to be her plus-one (yeah, that’s a whole story) and suggests they turn the journey into an epic road trip, Megan reluctantly agrees to the biggest adventure of her life.
A week together in a car is a surefire way to kill a crush, and Scarlett Andrews has had a big one on Megan for years. The important thing is fixing their friendship.
As the miles roll away, what starts as harmless road-trip games and rest-stop dares escalates into something like intimacy. And when a surprise snowstorm forces Megan and Scarlett to hunker down without the open road as distraction, they’ve got a bigger challenge than making it to the church on time: facing the true nature of their feelings for each other.
Carina Adores is home to highly romantic contemporary love stories where LGBTQ+ characters find their happily-ever-afters.
Angela likes Chloe. Chloe likes Angela. It should be simple enough – there’s just the small matter of Angela’s aversion to sunlight. And crosses. And mirrors . . .
In 1998, Angela was a smart, gothy astronomy student - until her then-girlfriend accidentally turned her into a vampire. A year later, she divides her time between her post-graduate degree (working on it in a dark, basement room, and only at night) and controlling her need for human blood.
Then she meets lonely but wryly humorous slush-pile reader Chloe, who’s battling demons of her own. Chloe’s anxiety and depression can make it hard for her to leave the house, while memories of her ex haunt her at night.
As sparks fly and romance blooms, Angela and Chloe struggle to hide their difficulties from each other – but sometimes the only way out is to let someone else in.
With the help of her trusty deck of talking cards, Rie has always been able to detect the presence of money on her marks long before she picks their pocket.
When she picks the wrong target, she gains the attention of a mysterious gang. To pay for her mistake, she has no choice but to lend them her powers and hustle the richest man in the city. After a rough life on the streets, she’s just the woman for the job.
GENDER-SPUN ALEXANDER THE GREAT ON AN INTERSTELLAR SCALE
Princess Sun has finally come of age.
Growing up in the shadow of her mother, Eirene, has been no easy task. The legendary queen-marshal did what everyone thought impossible: expel the invaders and build Chaonia into a magnificent republic, one to be respected―and feared.
But the cutthroat ambassador corps and conniving noble houses have never ceased to scheme―and they have plans that need Sun to be removed as heir, or better yet, dead.
To survive, the princess must rely on her wits and companions: her biggest rival, her secret lover, and a dangerous prisoner of war.
Take the brilliance and cunning courage of Princess Leia―add in a dazzling futuristic setting where pop culture and propaganda are one and the same―and hold on tight:
Who has the right to change the world forever? How will we live online? How do we find comfort in an increasingly isolated world?
The Carls disappeared the same way they appeared, in an instant. While the robots were on Earth, they caused confusion and destruction with only their presence. Part of their maelstrom was the sudden viral fame and untimely death of April May: a young woman who stumbled into Carl’s path, giving them their name, becoming their advocate, and putting herself in the middle of an avalanche of conspiracy theories.
Months later, April’s friends are trying to find their footing in a post-Carl world. Andy has picked up April’s mantle of fame, speaking at conferences and online; Maya, ravaged by grief, begins to follow a string of mysteries that she is convinced will lead her to April; and Miranda is contemplating defying her friends’ advice and pursuing a new scientific operation…one that might have repercussions beyond anyone’s comprehension. Just as it is starting to seem like the gang may never learn the real story behind the events that changed their lives forever, a series of clues arrive—mysterious books that seem to predict the future and control the actions of their readers—all of which seems to suggest that April could be very much alive.
In the midst of the search for the truth and the search for April is a growing force, something that wants to capture our consciousness and even control our reality. A Beautifully Foolish Endeavor is the bold and brilliant follow-up to An Absolutely Remarkable Thing. It is a fast-paced adventure that is also a biting social commentary, asking hard, urgent questions about the way we live, our freedoms, our future, and how we handle the unknown.
Chilling Adventures of Sabrina meets Joe Hill in S. A. Hunt’s I Come with Knives, a horror-tinged action-adventure about a punk YouTuber on a mission to hunt witches, one vid at a time
Robin – now armed with new knowledge about mysterious demon terrorizing her around town, the support of her friends, and the assistance of her old witch-hunter mentor – plots to confront the Lazenbury coven and destroy them once and for all.
Meanwhile, a dangerous serial killer only known as The Serpent is abducting and killing Blackfield residents. An elusive order of magicians known as the Dogs of Odysseus also show up with Robin in their sights.
Robin must handle these new threats on top of the menace from the Lazenbury coven, but a secret about Robin’s past may throw all of her plans into jeopardy.
Long ago, a magical war destroyed an empire, and a new one was built in its ashes. But still the old grudges simmer, and two siblings will fight on opposite sides to save their world in the start of Django Wexler’s new epic fantasy trilogy.
Gyre hasn’t seen his beloved sister since their parents sold her to the mysterious Twilight Order. Now, twelve years after her disappearance, Gyre’s sole focus is revenge, and he’s willing to risk anything and anyone to claim enough power to destroy the Order.
Chasing rumors of a fabled city protecting a powerful artifact, Gyre comes face-to-face with his lost sister. But she isn’t who she once was. Trained to be a warrior, Maya wields magic for the Twilight Order’s cause. Standing on opposite sides of a looming civil war, the two siblings will learn that not even the ties of blood will keep them from splitting the world in two.
At last Aydis enters the land of the gods, but when she comes face-to-face with the god king Odin, will she be able to sway him? Meanwhile, the friends she’s left behind must band with Aydis’s family to stop Odin’s army, even if it means standing against the Valkyrie themselves.
From notorious kink writer TINA HORN and featuring a diverse group of artists comes SFSX (SAFE SEX), a social thriller about sex, love, and torture. It’s SEX CRIMINALS in Gilead, Hustlers with a SUNSTONE twist.
In a draconian America where sexuality is strictly bureaucratized and policed, a group of queer sex workers keep the magic alive in an underground club called the Dirty Mind. Using their unique talents for bondage and seduction, they resolve to infiltrate the mysterious government Pleasure Center, free their incarcerated friends, and fight the power!
The crime of rape sizzles like a lightning strike. It pounces, flattens, destroys. A person stands whole, and in a moment of unexpected violence, that life, that body is gone.
Award-winning writer and public health executive Michelle Bowdler’s memoir indicts how sexual violence has been addressed for decades in our society, asking whether rape is a crime given that it is the least reported major felony, least successfully prosecuted, and fewer than 3% of reported rapes result in conviction. Cases are closed before they are investigated and DNA evidence sits for years untested and disregarded
Rape in this country is not treated as a crime of brutal violence but as a parlor game of he said / she said. It might be laughable if it didn’t work so much of the time.
Given all this, it seems fair to ask whether rape is actually a crime.
In 1984, the Boston Sexual Assault Unit was formed as a result of a series of break-ins and rapes that terrorized the city, of which Michelle’s own horrific rape was the last. Twenty years later, after a career of working with victims like herself, Michelle decides to find out what happened to her case and why she never heard from the police again after one brief interview.
Is Rape a Crime? is an expert blend of memoir and cultural investigation, and Michelle’s story is a rallying cry to reclaim our power and right our world.
Imagining Latinx Intimacies addresses the ways that artists and writers resist the social forces of colonialism, displacement, and oppression through crafting incisive and inspiring responses to the problems that queer Latinx peoples encounter in both daily lives and representation such as art, film, poetry, popular culture, and stories. Instead of keeping quiet, queer Latinx artists and writers have spoken up as a way of challenging stereotypes, prejudice, and the lived experiences of estrangement and physical violence. Artistic thinkers such as Gloria Anzaldúa, Frances Negrón-Muntaner, and Rane Arroyo have challenged such socio-political problems by imagining intimate social and intellectual spaces that resist the status quo like homophobic norms, laws, and policies that hurt families and communities. Building on the intellectual thought of researchers such as Jorge Duany, Adriana de Souza e Silva, and José Esteban Muñoz, this book explains how the imagined spaces of Latinx LGBTQ peoples are blueprints for addressing our tumultuous present and creating a better future.
In one of the first collections of scholarship at the intersection of LGBTQ studies and Appalachian studies, voices from the region’s valleys, hollers, mountains, and campuses blend personal stories with scholarly and creative examinations of living and surviving as queers in Appalachia. The essayists collected in Storytelling in Queer Appalachia are academics, social workers, riot grrrl activists, teachers, students, practitioners, scholars of divinity, and boundary crossers, all imagining how to make legible the unspeakable other of Appalachian queerness.
Focusing especially on disciplinary approaches from rhetoric and composition, the volume explores sexual identities in rural places, community and individual meaning-making among the Appalachian diaspora, the storytelling infrastructure of queer Appalachia, and the role of the metronormative in discourses of difference. Storytelling in Queer Appalachia affirms queer people, fights for queer visibility over queer erasure, seeks intersectional understanding, and imagines radically embodied queer selves through social media.
For fans of Book of Ages and American Eve, this illuminating and enthralling biography of 19th-century queer actress Charlotte Cushman portrays her radical lifestyle that riveted New York City and made headlines across America.
From the very beginning, she was a radical. At age nineteen, Charlotte Cushman, America’s beloved actress and the country’s first true celebrity, left her life—and countless suitors—behind to make it as a Shakespearean actress. After revolutionizing the role of Lady Macbeth in front of many adoring fans, she went on the road, performing in cities across a dividing America and building her fame. She was everywhere. And yet, her name has faded in the shadows of history.
Now, for the first time in decades, Cushman’s story comes to full and brilliant life in this definitive, exhilarating, and enlightening biography of the 19th-century icon. With rarely seen letters, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of New York City in the 1800s, featuring a cast of luminaries and revolutionaries that changed the cultural landscape of America forever.
A vivid portrait of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable women in United States history, and restores her to the center stage where she belongs.
I am thinking this July 4th week of a song from the musical Hamilton, which sees its television premiere today. Alexander Hamilton and Aaron Burr sing together to their children about their new country, “We’ll bleed and fight for you, we’ll make it right for you./ If we lay a strong enough foundation/ We’ll pass it on to you, we’ll give the world to you/ And you’ll blow us all away.” What is the world we want to leave to our children? What do we need to do to make it happen?
Those questions feel more imperative than ever. The direction of our country is frightening for many reasons, but I want to focus here on some specific issues for LGBTQ families. Last week—the fifth anniversary of Obergefell v. Hodges, the U.S. Supreme Court decision that established marriage equality nationwide—Indiana asked the Court to take a case that would, if decided in the state’s favor, revoke the right of married nonbiological mothers in same-sex couples to be recognized as parents and be put on their children’s birth certificates without second-parent adoptions.
Indiana’s challenge seeks to deny children of same-sex parents the protection of having two legal parents from birth, one of the primary benefits of marriage equality for many same-sex parent couples (even though the major LGBTQ legal organizations still advise second-parent adoptions as well, for greater legal security). The Supreme Court has yet to say whether it will take the case—but the mere fact that Indiana is pursuing it says much about the animosity that remains towards LGBTQ families.
Additionally, the U.S. State Department is continuing to deny equal citizenship rights to children born abroad to married same-sex couples—although a federal court last week said they were wrong to do so in one case. At least three other same-sex couples have also sued the State Department for similar reasons; their cases are still pending.
And 11 states (Alabama, Kansas, Michigan, Mississippi, North Dakota, Oklahoma, South Carolina, South Dakota, Tennessee, Texas, and Virginia) now allow foster care and adoption agencies to discriminate based on sex, sexual orientation, gender identity, and religion. All but Alabama and Michigan allow them to do so even if they receive taxpayer money. One case now before the U.S. Supreme Court involves a child services agency seeking to do the same in Philadelphia; the Trump administration in early June filed a brief in support of the agency. Not only that, but the administration in November 2019 proposed a rule to allow such discrimination nationwide by all recipients of grants from the U.S. Department of Health and Human Services, which could impact not only child services but also programs dedicated to youth homelessness, HIV, and more.
We did have a huge win June 15 when the Supreme Court ruled that people cannot be fired from their jobs because of their sexual orientation or gender identity. Just days before, however, the Trump administration finalized a rule that says health care anti-discrimination protections don’t cover discrimination based on LGBTQ identities. And transgender people continue to face trans-specific discrimination and anti-trans violence.
Add to all this the ongoing racism that impacts LGBTQ families as much as any others, the systemic injustice woven into the fabric of our nation from the time European settlers seized it from the indigenous peoples.
How can we celebrate the birth of such a country, especially under a current federal administration that seems only to exacerbate bias and divisiveness?
How can we celebrate the birth of such a country, especially under a current federal administration that seems only to exacerbate bias and divisiveness?
There’s no simple answer, but Hamilton may again be instructive. When Hamilton tries to convince Burr to support the new U.S. Constitution, Burr objects, “It’s full of contradictions.” Hamilton replies, “So is independence. We have to start somewhere.”
Our country is imperfect. For many, it is oppressive. Our country, like our constitution, is messy and full of contradictions. Yet here we are at this messy, contradictory moment in time. This is the somewhere from which we must start.
During this July 4 week, then, perhaps we can best celebrate our country not with fireworks, but by taking action to improve it. A few ideas, if you need them:
For LGBTQ people and families, help pass the Equality Act, which would offer broad protections to LGBTQ people and our children. Similarly, support the Every Child Deserves a Family Act, which would prohibit religiously based discrimination in federally funded adoption and foster care agencies. (This is also covered in the Equality Act, but we should push for both bills just in case.)
Help a voter-registration effort like the Reclaim Our Vote Campaign, a nonpartisan effort to inform and mobilize voters of color in states with high levels of voter suppression. Make phone calls or send postcards or texts from your home.
Those are only a few ideas. I hope you find others with causes that matter to you.
Hamilton speaks in the musical of “the notion of a nation we now get to build.” Let’s use our nation’s birthday to reflect on our vision of that notion and then get to work, building and rebuilding.
(Originally published as my Mombian newspaper column.)