Childhood friends Sahar and Nasreen are desperately in love, but living in Tehran, their love is forbidden. Nasreen wants to lead the life her parents want for her, to marry a good man with a good job who can take care of her, even if it means she has to give up her childhood sweetheart. Sahar can’t lose Nasreen, so she considers transitioning into a man, as that is acceptable in their culture. It’s a novel filled with teen angst, questions of gender and sexuality, coming of age and deciding how to stay true to yourself while holding on to the people you love.
When it comes to the discussions of trans people and transitioning, it’s hard for me to speak clearly to it because that’s not my own experience. But throughout the novel, the discussions explicitly state “transsexual,” which I’m not sure if it’s an outdated term or if it’s specific to Iranian culture on the subject. Because in this culture, trans people are acceptable as it is seen as “fixing” the problem of homosexuality. There’s a lot to unload in that frame of mind altogether because lumping gender and sexual orientation into one doesn’t allow for nuance.
There’s also an interesting division within the LGBTQ+ community. Sahar’s gay cousin, Ali, introduces her to Tehran’s queer community to show her she’s not the only one and there’s nothing wrong with her. But Sahar is resistant to the idea that she is a lesbian. Moreover, there’s another trans character she meets who shows repulsion toward gay people, calling it unnatural.
Farizan creates dynamic, imperfect characters in Sahar and Nasreen. It would be easy to categorize them as overdramatic teen girls and to get easily annoyed with their personalities. At times, Sahar becomes frustrating, even as she acknowledges her flaws and irrationality. But through all that emotion, it’s a delight to see her go through the growing pains and become firm in her identity.
I admit I found Nasreen harder to sympathize with. She’s not a bad person, but she is more selfish and self-centered in comparison to Sahar. However, she’s never condemned for her desire to live comfortably. She’s not the kind of person to fight her role as a woman in her society, and it doesn’t make her weaker or inferior. She simply chooses to survive the best way she knows how.
That doesn’t mean I think she deserves Sahar. Nasreen’s treatment of her best friend is never justified by her desire to survive and live a comfortable life. It’s this complex and messy narrative that makes the novel a compelling read. Nothing’s black and white. Characters aren’t necessarily good or evil. There are no right answers.
Sahar and Nasreen don’t end up together. It’s a heartbreaking moment for Sahar, but it feels like the right choice for the story. However, there’s a spark of hope at the end as the novel wraps up with Sahar meeting a new girl at college.
I picked up Things Hoped For at the beginning of the year, out of a list of f/f romance coming out this year, I believe. Or maybe Black romance authors? Perhaps Black LGBT authors. There were a lot of lists floating around Twitter in March/April, and I bought a lot of books, both to support authors and because I suddenly had a lot more reading time on my hands. I was excited to see a butch woman on the cover, and as a novella, so the trope of the day is instant connection, which means instant gratification on cuteness, which was exactly what I want a lot of right now. I haven’t read the rest of the series, since they are M/F and I wanted to skip right to the F/F, but it was easy to get into, and Xeno and Trisha, the main characters, are adorable together. If you’re looking for a romance novella, I highly recommend picking it up.
First of all, this is a relocation romance. Trisha wants to move away from her rural hometown in order to be around a bigger circle of queer community than her area offers. As a massage therapist, her skills are easy to transfer to Houston, and she knows people in the area, presumably the people from the afore-mentioned M/F books. She’s excited to be in a bigger city and be able to meet new people and find a wider LGBT community. I really love the possibilities here, and the journey for more community is a familiar for a lot of us. When her friends in town invite her to see a concert by queer, butch rapper Xeno, she leaps at the chance to go. Xeno is a rapper who has firmly established herself on the Houston circuit and is ready to expand her audience. A savvy businesswoman with a firm grasp on all aspects of her music career, Xeno is nonetheless somewhat shy around people she doesn’t know. A chance encounter with Trisha backstage is instantly enchanting for both women.
This is also a romance about someone dealing with rising fame. A major rapper samples Xeno’s work in an interview and suddenly her popularity skyrockets outside of her Houston circuit, and she’s booking gigs out of state. She finds the increasing fervor of her fans outside of concerts disconcerting, even as she revels in the energy onstage. But Trisha is outside of that, and their growing relationship is lowkey, hot, and super cute. They go on super adorable dates and are very soft with each other. And Trisha’s career means she can schedule patients and be able to travel to Xeno’s concerts. They’re very cute and when they get together the sex is very hot. There’s not a whole lot of conflict here, but that’s pretty standard in romance novellas, when entertainment is the name of the game.
In conclusion if you’re looking for a quick, hot f/f read, you could do worse than to pick up Things Hoped For. It’s steamy, it’s familiar and comforting to everyone that’s had to relocate to find queer community, and it’s entertaining. I had a thoroughly good time reading it, and I recommend that you do too.
The Unicorn, The Mystery is a novel based on a series of seven tapestries titled “The Hunt of the Unicorn.” We follow a (genderless) unicorn through this story, while also getting the point of view of a monk who also makes an appearance in the tapestries. I want to start by saying that this doesn’t have a sapphic point of view character, though the most significant side characters are two nuns who are a couple.
I didn’t know going into this story how religious/spiritual it would be, and I’m not sure I have the background to really understand it. I shouldn’t have been surprised, considering the author is a Unitarian Universalist lay minister who also wrote a book titled THEY, a Biblical Tale of Secret Genders. We spend most of the book inside the heads of the monk and unicorn–not just in the sense that it is from their point of view. This is a very internal novel: we spend a lot of time just following their musings on various subjects, including the unicorn speculating about the motivations of the hunters:
Maybe they wanted to please her. Maybe they wanted to refute her. Why did they really want to hunt me? What were they looking for? Did they really want to kill me — or were they looking for something in themselves and trying to kill it? Or were they just following orders and trying to impress each other? …
Perhaps the hunters are worried that they might not get their reward. Kings often promise riches that they never intend to give. Everyone knows that they are stingy and that is how they become kings. This would mean that the hounds wouldn’t get their treats. Maybe the hounds picked up their owner’s apprehensions. Hounds are so servile! …
Maybe they are glum because they have realized that kings will always be kings and hunters will always be hunters. . . Maybe the hunters look grim because they are thinking about the fact that everybody dies…
Although they have very different life circumstances, both characters’ POVs feel similar in that they both think highly of themselves and believe they have wisdom to bestow. Especially when it came to religious opining, I wasn’t sure whether I was meant to agree with them or not–although both characters believe themselves to be wise, they are flawed and inconsistent, so it was difficult for me to tell.
Because the story is based around the tapestries, time moves strangely throughout the story. The unicorn is looking at the tapestries, recalling their life, and we sometimes bounce between time periods in a small space. It’s almost as if all the action of the novel is happening at once: the unicorn is always being hunted, and it’s always free, so I didn’t get a sense of tension. I won’t mention any specifics, but the ending didn’t provide much more information than we already knew.
I also sometimes had difficulty with the asides of this story. A Gnostic poem, “The Thunder, Perfect Mind,” is quoted at length through the story, sometimes for pages at a time, and I wasn’t sure the purpose of these passages (they are spoken by the unicorn, who finds them spilling from their mouth). The tapestries are also described at length. There is a lot of space devoted to Greek and Latin, including multiple passages describing the shape of each letter in a word in Greek. (I was particularly confused by the inclusion of a poem the monk wrote, which was written in Latin, but is included in English with the same formatting as if it was in Latin? “see/ a yel/low ha/ lo all a/round you/ – among humans/ you are/ a de/light!” I don’t understand.)
We do see several scenes of the nun couple, though we unfortunately do not get their point of view. As intrigued as I am by them, I felt like each scene was essentially the same: they would discuss how the church would disapprove of their relationship, and then conclude that their love is not a sin. They go through different iterations of this, but it felt like they served a purpose–to argue against the idea that being gay is sinful–more than they were characters in their own right.
I wanted to include some content warnings as well: the unicorn can smell virginity, and there is quite a bit in here about virginity as well as anti sex work ideas. There are also mentions of bestiality.
Overall, this wasn’t a perfect fit for me: it is concerned with grappling with Christian ideas about truth and morality. If that is something you are interested in, The Unicorn, The Mysterywill give you a lot to consider.
This has been a sponsored review. For more information, check out the Lesbrary’s review policy.
I love sappy holiday movies, and Comet’s First Christmas nailed the sweet and silly tone of some of my favorites, glossing over any plot holes with Christmas magic. It’s a sweet, earnest, PG-rated novella about a reindeer shifter who falls for an elf. The worldbuilding is excellent, but the storyline is unlikely to appeal to readers who aren’t die-hard fans of North American Christmas culture.
Claudia has never left the North Pole. She spends her days training to join the elite squad of flying reindeers who help Santa deliver gifts around the world. Did you know Santa’s reindeer are all queer women who can magically shift their form? When a spot on the team unexpectedly opens up at the last minute, Claudia takes the title of Comet, and is assigned to the New York City office, where she’ll work with East Coast elves in the final few weeks before Christmas. Claudia has anxiety and is worried she won’t perform well. Luckily her Personal Assistant elf, Jillian, is smoking hot and supremely competent.
Jillian grew up in New York and prefers it to the formality of life in the North Pole, where the roles of reindeers, elves, and snowmen are tightly prescribed. Jillian’s willingness to think creatively comes in handy when secret Christmas haters hack the reindeers’ communication tech. Will solving this Christmas mystery together give Jillian and Claudia a chance to fall in love?
I found this to be a comforting read, the book equivalent to a mug of peppermint hot cocoa. Comet’s First Christmas is a smorgasbord of classic Christmas cultural references—gingerbread, ice skating, the Nutcracker ballet, decorated store windows, and Santa at Macy’s. Claudia’s anxiety and imposter syndrome made her very sympathetic, and I was cheering for her to see herself the way others clearly did.
I appreciated that unlike most Christmas romances, the worldbuilding wasn’t US-centric. Comet’s route stretches from Brazil to Canada, and Claudia spends a few memorable scenes eating her way through the Singapore office. There’s even a brief mention of the ethics of Western museums with stolen artifacts.
I didn’t enjoy the romance as much as the other story elements. Claudia falls for Jillian instantly, and basks in her beauty and nurturing spirit. But the book didn’t describe why Jillian would quickly fall for Claudia. The two are tongue-tied and awkward around one another, and their professional dynamic sometimes made it feel like Jillian was mothering Claudia. The two of them felt young, and the simplistic style of the book made the romance seem immature.
Part of the plot focuses on humans who have “lost their belief” in Christmas, with Claudia and Jillian trying to convince “nonbelievers.” I prefer secular Christmas romances, and while Comet’s First Christmas is never overtly religious, I could have done without this proselytizing. Most of the book focused on the collective action of many people working together to spread Christmas magic, so emphasizing the exclusivity of Christianity felt out of step. The mystery behind the plot to ruin Christmas is only partially resolved, so the ending wasn’t as satisfying as I’d hoped.
Shifter romances have a reputation for wild sex scenes, but I didn’t mind that this low-heat romance is sweet, rather than sexy. The camaraderie of Claudia’s fellow reindeers working to make the world a happier place, puts friendship and chosen family at the center of this fluffy queer novella. Comet’s First Christmas is unapologetically and intensely Christmassy, which will either make readers devour it as quickly as I did, or want to run away.
Maybe Charlotte by Louise McBain came out December 10 from Bella Books. For full disclosure, a review copy of this book was sent to The Lesbrary for a possible review, but honestly this book was a great time, and I’m glad it came to my attention. This book is also apparently a sequel, but that made no nevermind to my reading experience, so feel free to jump right in.
What caught my interest from the get-go was the summary and general set-up: Charlie Kincaid has moved to DC from Maine with her twin brother, in part, to escape the range of her ex-girlfriend Madison, with whom breaking up never seems to stick. She’s also trying to escape the range of Madison’s trendy bakery and their hit marketing win, the Charlie Pie. What no one else except Madison knows is that the Charlie Pie is named after Charlie’s vagina, and hearing radio commercials about it is the straw that drives Charlie, now going by Charlotte, to move. Charlotte and her twin move into the guest house of their Great Aunt Wellesley, who is an extremely famous but also extremely reclusive artist. At a piano bar to with her brother, Charlotte meets Lily, and she feels an instant connection, but will it have a chance to grow when there are constant hijinks happening with her twin and the charity gala he’s organizing, Great Aunt Wellesley, her job, and of course, Madison, who contrives to insert herself in Charlotte’s life even from states away. From a manipulative ex to the casual decadence of Great Aunt Wellesley, this book was packed with action and drama.
There was a lot I really liked about this book, but perhaps what I liked most was just what a general good time it was. There’s no possible way to describe all the twists and turns crammed into the plot, but at several points I gasped in delight. I guess when your starting baseline is a baked good named after a vagina, you have to go big to elevate the tensions, and there’s multiple characters determined to do their part in keeping things interesting. For one thing Madison, the creator of the Charlie Pie, isn’t deterred by her ex crossing state lines, and her shenanigans just don’t stop. For another, Charlotte’s twin brother Daniel is determined to live his most dapper gay life now that’s he in DC and not in Maine, and for another he is arranging a huge charity benefit, which is always good for drama. And finally there is Great Aunt Wellesley, who is perhaps my favorite character. More books should feature eccentric older lady artists and their harem of older gentlemen, I feel, because she added a delightful layer of commentary and experience to the whole mix. It’s a great mix of characters and wildly entertaining circumstances, and I was pretty much enthralled the whole time.
Charlotte and Lily are also a cute couple, once they get together. They go through a few bumps before they do, but they can’t really compete with the constant low boil of drama that is the rest of Charlotte’s life. Luckily for Charlotte, Lily seems willing to overlook all of that and take a pragmatic view of things. I really enjoyed how solid they became once they got together, and how even the height of Madison’s manipulations never seemed to faze Lily. Between her twin and her great aunt, I felt like it was really good for Charlotte to fall for someone like Lily, and for Lily to have the opportunity to draw her hidden artistic side out from where it had been hidden in the more normal professional life she’d built up for herself.
In conclusion, this came to my attention via a review copy, but I would not have been sad or disappointed to have bought it for myself. Maybe Charlotte is out now, and I recommend it if you want a fun, distracting read for your holidays. Come for the romance and a plot summary featuring a pie named after a vagina, stay for Great Aunt Wellesley living her best life.
I don’t know about any of you, but reading has proven a bit tricky for me during the pandemic. I kind of flit from book to book, hoping to settle on something that will be the perfect escape from what’s going on in the real world, and no one was more surprised than me to find that escape in a zombie novel. Many of my friends are turning to romance and cozy mysteries, and I’m glad those things work for them, but for me, comfort this fall came from one of the most enthralling series starters I’ve ever read.
The novel opens with Jenni, a frightened wife and mother, fighting to escape from her husband and two young children, all of whom have contracted a deadly virus that eventually turned them into zombies. Jenni has managed not to be bitten by any of them, but she’s not sure how long she can stay safe and she’s desperate for a way out. Fortunately, a woman she’s never seen before arrives in a truck and urges her to jump in. Seeing no better option, Jenni hitches her fate to the stranger’s, a risky move even in the best of times. Fortunately for Jenni, her savior turns out to be Katie, a prosecuting attorney who has narrowly escaped from being bitten by a group of zombies not far from Jenni’s home.
As time passes and the two women search in vain for a safe haven, it becomes clear to the reader that finding one another is the best thing that could have happened to these women. Jenni, a domestic abuse survivor, struggles to relate to most people since her abusive husband systematically chipped away at her self-worth for years. Still, she’s desperate for a fresh start, and she finds herself drawn to the competent Katie who is mourning the recent death of her wife. In Jenni’s mind, Katie is everything Jenni herself can never be: strong, resourceful and smart, just the kind of person guaranteed to take charge and ensure the safety of those around her.
Jenni’s assessment of Katie is pretty spot-on, but it soon becomes apparent there’s more to her than her strength and compassion. As the story goes on and circumstances grow ever more dire for our heroines, we learn exactly who both Katie and Jenni are on the inside, and how important each will be in the forming of a new society full of survivors.
On the surface, The First Days is one in a long list of novels about the zombie apocalypse, but as I read, I discovered a deeper story filled with complex characters who will do whatever is necessary to stay alive. This is a tale of self-discovery and survival, of changing morals and the strong need to forge connections in an ever-changing landscape. It’s dark without being overly gross, and the author deals with issues of race, sexual orientation, and mental health with an abundance of sensitivity, weaving these themes into her plot in a way that feels utterly effortless.
I know zombie books aren’t for everyone, but I was especially pleased to see a bisexual heroine so well-represented here. Katie is one of the novel’s driving forces, spurred on by her enduring love for the wife she’s so recently lost and desperate to find a way to live without her. Her friendship with Jenni is beautiful to behold, and I loved the way these two very different women balanced each other out. This is a true testament to the power of friendship and determination, and even if books about zombies aren’t your usual cup of tea, I urge you to give this one a try.
Content Warning: This review contains spoilers, but only specifics about the world, nothing plot-specific past the first chapter. I knew almost nothing about this book when I started reading it, and it was such a pleasure to be surprised, so if you like vampire stories, or Octavia Butler, I highly recommend it and you can stop reading this review now and just go pick up the book.
The opening of Fledgling by Octavia Butler is an intense sensory overload, where the nameless narrator is, too, on sensory overload, starving and being burned alive by the sun’s rays. She finds some meat to eat, and it proceeds to be one of the most sensual scenes I have ever read (and I have read a lot of erotic literature).
I didn’t know a lot about the story as I read it, and I don’t want to spoil anyone else’s experience of the meticulous, expertly woven unfolding that Butler does in the first few chapters, building a new world and explaining to us readers, slowly, what it is to inhabit this world. The nice thing is, the main character and narrator, Shuri, has completely lost her memory, and though she previously had a place in the world, has to re-learn everything she knows about how her tribes communicate, the social politics, and how things manifest. She slowly re-learns what her brain injury took from her, and in the process, builds her life from scratch.
Did I mention Shuri is a vampire?
Did I mention Shuri is Black, but the vast majority of vampires in this book are white, and Shuri is the result of a genetic experiment to encourage vampires to be able to withstand sunlight (which she can)?
True to form, Butler uses this particular trope of the vampire to discuss and investigate race relations, among other things, like sexism, classism, homophobia, and ageism.
As a person in kink and D/s relationships, I particularly loved how Butler depicted the symbiotic relationship between vampires and humans. It’s slightly different than in other vampire lore, but, as a fan of the genre in general, I found it believable and exciting. I loved how there was both a choice and a physiological component that bound them to each other, with a point of no return after a certain amount of contact.
Fledgling is the last novel Octavia Butler wrote and published, and I have read critiques and assessments that said it was clear Butler had created an entire world, and that Fledgling was just the tip of the iceberg in that world. I felt fairly satisfied with it as its own story, after I read it, knowing that there weren’t any others in the series, but the idea that Butler had a trajectory of the story already in her mind, but that is now lost and I will probably never read, does feel incredibly sad for me. I will only have to imagine into the future of Shuri’s world for myself.
Jane Walsh’s lesbian romance novel, Her Lady to Love (2020), was released this fall from Bold Strokes Books, and it’s the perfect novel to read over the holidays if you love gorgeous writing, beautiful settings, and literal bodice ripping!
Set in the Regency period, Walsh’s novel follows Lady Honora Banfield who, after spending several of her eligible seasons ensconced in the country mourning the deaths of her parents, arrives in London with her aged aunt, looking for a husband. Looking to secure a future for herself and increase her financial security, Honora plans to go above and beyond to make a match. Her ambition leads her to ally with the most beautiful woman of the season—and the most controversial—Jacqueline Lockhart. Jaqueline’s a familiar face in London’s matchmaking circles and she has no plans to marry a man and settle down. She’s in her sixth season when she suddenly bumps into Honora on the dancefloor.
Nora and Jaquie’s alliance quickly turns into romance, but they both agree their affair cannot continue after Nora finds a husband. However, as the prospect of a proposal becomes more and more real for both of them, the two women struggle between convention, duty and love.
I had such a brilliant time with this book. Walsh’s novel has such an excellent sense of the time period she’s writing in and her specificity and interest in the historical aspects of her plot really allow the characters to shine. The inclusion of details, specifically related to women’s behaviour or dress, made for a vivid and exciting setting. This novel reminded me a lot of something like Vanity Fair (1847)(but with lesbians!) because of its gorgeous setting and intriguing plot.
For a shorter novel, I was surprised at the amount of characters it contained, but they were all so much fun to read. A kaleidoscope of Regency queer life, the characters maneuver around the heterosexual marriage market and showcase a range of London life. The romance between Nora an Jaquie is lovely; it felt sweet and realistic in the context of the setting. It can be difficult to write a happily ever after lesbian romance in a period where heterosexual convention and women’s lack of social mobility limited so much, but Walsh’s writing is thoroughly heartwarming and delightful.
Lesbian historical novels are totally my thing and I’d wanted to read this one for ages. It definitely didn’t disappoint. While characters were witty and the romance was generally lighthearted, I was thrilled to see that Walsh didn’t shy away from the sadder aspects of queerness in Britain in the nineteenth century. This legitimized her novel, but it also created a context in which the bravery of her lesbian/queer characters could have a significant impact. The writing was easy to read and flowed wonderfully, with a distinct blend of modern/historical dialogue that grounded the story without weighing it down.
If you’re looking for something fun to read over the holidays, I highly recommend Her Lady to Love.
Rachel Friars is a creative writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every queer novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.
I hope you haven’t set your Best Reads of 2020 list in stone, because there are more book out this month! Unfortunately, it’s not always easy to find out which books have queer representation, or what kind of representation they have. So here’s a big list of bi and lesbian books out this month, sorted by genre. I’ve highlighted a few of the books I’m most interested in, but click through to see the other titles’ blurbs!
As always, if you can get these through an indie bookstore, that is ideal, but if you can’t, the titles and covers are linked to my Amazon affiliate link. If you click through and buy something, I’ll get a small percentage. On to the books!
A teen girl on a quest to find her long-lost mother finds herself on a journey of self-discovery in Kristy Dallas Alley’s moving YA debut, The Ballad of Ami Miles.
Raised in isolation at Heavenly Shepherd, her family’s trailer-dealership-turned-survival compound, Ami Miles knows that she was lucky to be born into a place of safety after the old world ended and the chaos began. But when her grandfather brings home a cold-eyed stranger, she realizes that her “destiny” as one of the few females capable of still bearing children isn’t something she’s ready to face.
With the help of one of her aunts, she flees the only life she’s ever known and sets off on a quest to find her long-lost mother (and hopefully a mate of her own choosing). But as she journeys, Ami discovers many new things about the world…and about herself.
One of Us Is Lying meets Sadie in this twisty, feminist thriller for the Me Too era.
The troublemaker. The overachiever. The cheer captain. The dead girl. Like every high school in America, Jefferson-Lorne High contains all of the above.
After the shocking murder of senior Emma Baines, three of her classmates are at the top of the suspect list: Claude, the notorious partier; Avery, the head cheerleader; and Gwen, the would-be valedictorian.
But appearances are never what they seem. And the truth behind what really happened to Emma may just be lying in plain sight. As long buried secrets come to light, the clock is ticking to find Emma’s killer—before another good girl goes down.
With just one touch, bread turns into roses. With just one bite, cheese turns into lilies.
There’s a famine plaguing the land, and Princess Yzabel is wasting food simply by trying to eat. Before she can even swallow, her magic–her curse–has turned her meal into a bouquet. She’s on the verge of starving, which only reminds her that the people of Portugal have been enduring the same pain.
If only it were possible to reverse her magic. Then she could turn flowers…into food.
Fatyan, a beautiful Enchanted Moura, is the only one who can help. But she is trapped by magical binds. She can teach Yzabel how to control her curse–if Yzabel sets her free with a kiss.
As the King of Portugal’s betrothed, Yzabel would be committing treason, but what good is a king if his country has starved to death? With just one kiss, Fatyan is set free. And with just one kiss, Yzabel is yearning for more. She’d sought out Fatyan to help her save the people. Now, loving her could mean Yzabel’s destruction.
Based on Portuguese legend, this #OwnVoices historical fantasy is an epic tale of mystery, magic, and making the impossible choice between love and duty…
It might take the magic of prom to turn her best friend into her girlfriend.
Frankly, prom is a ridiculous concept. People at school treat it like it’s a test run for a wedding, complete with “promposals.” That’s not even mentioning the dresses, which look like Disney vomited tulle and sparkles onto the nearest mannequin. Sam wants nothing to do with any of it.
But there’s the tiny fact that her best friend, Tash, dreams of the perfect romantic prom. And Sam’s been in love with Tash since they were ten years old. She’s given up hope of ever having the courage to tell Tash how she feels, until she spots The Suit in a shop window. Sleek, androgynous, and flat-out cool—it could finally give her the boost she needs. However, it’s also way out of her price range.
Still, if she can earn the money for the suit, then maybe she can finally tell Tash she loves her, and they can both enjoy the perfect prom.
Perfect for fans of Becky Albertalli and Nina LaCour, this #ownvoices romantic comedy from New York Times bestselling author Robin Talley has something for everyone: backstage rendezvous, deadly props, and a seemingly insurmountable obstacle to True Love.
Melody McIntyre, stage manager extraordinaire, has a plan for everything.
What she doesn’t have? Success with love. Every time she falls for someone during a school performance, both the romance and the show end in catastrophe. So, Mel swears off any entanglements until their upcoming production of Les Mis is over.
Of course, Mel didn’t count on Odile Rose, rising star in the acting world, auditioning for the spring performance. And she definitely didn’t expect Odile to be sweet and funny, and care as much about the play’s success as Mel.
Which means that Melody McIntyre’s only plan now is trying desperately not to fall in love.
Coming Out: Insights and Tips for Teenagers offers compassionate insight into the hows and whys of coming out. Whether you are struggling with coming out yourself or wanting to help a friend or family member, this book seeks to provide answers to some of the questions you may have.
Written from the perspective of the LGBTQIA+ community with firsthand accounts from fellow teenagers, this book addresses the issues and concerns of today that will resonate with anyone wishing to come out and live a happy, fulfilled life surrounded by people who love and accept them.
You will learn
how to know when you or a loved one is ready to come out
who to tell first
how to deal with unsupportive people
how to deal with homophobia
how to move into loving self-acceptance
With helpful tips and a list of online resources for making connections and more, this book will provide you with all the important information you might need to come out successfully and build a strong relationship with those around you.
Ayesha is excited to attend her cousin Ritu’s wedding. She can’t wait to dance at the baraat ceremony! But not everyone is happy that Ritu is marrying her girlfriend Chandni. Some have even vowed to stop the celebrations. Will Ayesha be able to save her cousin’s big day?
Centering Ayesha’s love for her cousin as much as it showcases Ritu and Chandni’s love for each other, this warmhearted debut from Ameya Narvankar celebrates the power of young voices to stand up against prejudice and bigotry.
Anaya knows great things are expected of her: go to college, find a good man, and make her mother proud. But going to college means leaving behind her best friend, Eri. Eri is an Afrolatina transgender woman living in a closed-minded world and only Anaya knows her secret. The two decide to take a cross-country road trip, where Eri is finally able to open up to who she is, and Anaya finds out that she might be in love with her best friend.
A butch lesbian parolee. The pretty pansexual nurse who got away. Is this their second chance at a happily ever after?
Finn is finally out of prison, which is great. Having no job, no car, and no place to sleep except her cousin’s couch? Not so great. Plus, her felony theft conviction isn’t doing wonders for her employment prospects, so she can’t afford her migraine meds without the public clinic.
The last thing she ever expected was for the gal who stole her heart to come walking down that clinic’s hallway: Vivi, the manicure-loving nurse who spent two years fighting the prison system to get proper medical care for her patients, including Finn.
Finn could never believe she imagined the attraction and affection between them. But acting on that in prison, especially as nurse and patient, had been a serious No Way. She’s had eight months to get over Vivi, who abruptly left her job without saying goodbye. Finn is over it. Honest! It’s totally and completely fine.
Except Vivi, here and now, doesn’t seem fine. And Finn couldn’t live with herself if she didn’t try to help.
Is fate offering Finn a second chance? Or is finding love as likely as finding a job with health insurance?
Amanda Ellis knows three things: she’s tired of doing what’s expected of her, she hates her job at her family’s business, and the last thing she wants to do is attend her parents’ boring New Year’s Eve ball with a date her mother picked. A few days of fun with her online best friend is exactly what she needs to ring in the New Year on her own terms.
Wren Rebello is impulsive and always ready for fun. A last-minute girls’ getaway sounds like the perfect way to spend New Year’s. But even Wren isn’t prepared for the spark of attraction she feels when she meets Amanda in person for the first time. Good thing Wren loves popping Amanda’s cork.
After days spent sharing end-of-year resolutions and the one bed in their cottage, the clock strikes midnight and the ball drops on their time together. As Amanda and Wren go their separate ways, they leave new resolutions unfulfilled. Is there enough New Year’s magic left to turn their online friendship into real-life love?
A college tradition turned long-term promise means the Payne and Sideris families have spent every Christmas together for the past thirty-something years.
Cass Sideris loves traditions. She’s trying her hardest to follow in her lawyer parent’s footsteps to make them proud, but in all honesty, the only family customs she truly feels inspired by are the ones that involve cutting down a giant Christmas tree, walking through the forest as the snow falls, and sipping eggnog next to the fire, surrounded by loved ones.
She’s grown up alongside the Payne children, including her best friend Dylan, the young twins who exist solely to make her life harder, and, uh, the oldest Payne daughter, Stevie. Stevie, a firefighter with perfect hair and a kind heart. No big deal. Cass hasn’t had an unrequited and unconfessed crush on Stevie since she was eight-years-old or anything.
When Stevie gets her heart broken, Cass doesn’t expect to be the one consoling her. And after a series of unfortunate events and a last-minute road trip bring her closer to Stevie, Cass starts questioning more than just her feelings for Stevie… like her path in life. Still, she definitely shouldn’t be trying to casually catch Stevie under the mistletoe, right?
This is a holiday romance packed with all of the warm fuzzy feelings. You know the ones. Grab your hot cocoa bombs and a cozy blanket to cuddle up and enjoy as the yuletide gets real gay.
Nailah Grant only dates studs, races her Camaro for therapy, and believes in leaving her exes in the past where they belong.
But, with a layoff looming and her retired parents about to take a life-changing step Nailah isn’t ready for, her world becomes far from stable. Enter Scottie, the only femme she’s ever allowed close enough to touch her heart. They say trouble comes in threes, and this femme is one with a capital T.
Scottie is an ex though, and somebody Nailah never should have been with in the first place. Yet, when the foundations of her life collapse, Scottie is the one Nailah finds herself clinging to. Just as things settle into a semblance of something Nailah could only dream about, a shattering secret from Scottie’s past threatens to destroy everything the two women have built together.
Will Nailah stay the course with Scottie, or allow her fears to ruin her chance at a real and passionate love?
Moving from poison and treachery to war and witchcraft, Sam Hawke’s Poison Wars continue with Hollow Empire, a fabulous epic fantasy adventure perfect for fans of Robin Hobb, Naomi Novik, and Scott Lynch.
Poison was only the beginning…. The deadly siege of Silasta woke the ancient spirits, and now the city-state must find its place in this new world of magic. But people and politics are always treacherous, and it will take all of Jovan and Kalina’s skills as proofer and spy to save their country when witches and assassins turn their sights to domination.
The second book of the Aven Cycle explores a magical Rome-inspired empire, where senators, generals, and elemental mages vie for power.
Latona of the Vitelliae, mage of Spirit and Fire, is eager to wield her newfound empowerment on behalf of the citizens of Aven–but societal forces conspire to keep her from exercising her gifts, even when the resurgence of a banished cult plots the city’s ruin. To combat this threat, Latona must ally with Fracture mage Vibia, the distrustful sister of Sempronius Tarren.
While Latona struggles to defend their home, Sempronius leads soldiers through wartorn provinces to lift the siege of Toletum, where Latona’s brother Gaius is hemmed in by supernatural forces. Sempronius must contend not only with the war-king Ekialde and his sorcerers, but with the machinations of political rivals and the temptations of his own soul, ever-susceptible to the darker side of ambition.
Though separated by many miles soon after their love affair began, Latona and Sempronius are united by passion as they strive to protect Aven and build its glorious future.
The cleric Chih finds themself and their companions at the mercy of a band of fierce tigers who ache with hunger. To stay alive until the mammoths can save them, Chih must unwind the intricate, layered story of the tiger and her scholar lover—a woman of courage, intelligence, and beauty—and discover how truth can survive becoming history.
Nghi Vo returns to the empire of Ahn and The Singing Hills Cycle in When the Tiger Came Down the Mountain, a mesmerizing, lush standalone follow-up to The Empress of Salt and Fortune.
The graphic novel adaptation of the hit LGBT coming of age novel!
A NEW GRAPHIC NOVEL ADAPTATION OF THE BESTSELLING BOOK!
Juliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn’t sure if her mom will ever speak to her again. But don’t worry, Juliet has something kinda resembling a plan that’ll help her figure out what it means to be Puerto Rican, lesbian and out. See, she’s going to intern with Harlowe Brisbane – her favorite feminist author, someone whose last work on feminism, self-love and lots of other things will help Juliet find her ever elusive epiphany. There’s just one problem—Harlowe’s white, not from the Bronx and doesn’t have the answers. Okay, maybe that’s more than one problem but Juliet never said it was a perfect plan…
Critically-acclaimed writer Gabby Rivera adapts her bestselling novel alongside artist Celia Moscote in an unforgettable queer coming-of-age story exploring race, identity and what it means to be true to your amazing self. Even when the rest of the world doesn’t understand.
In this inspiring biography, discover the true story of Harriet the Spy author Louise Fitzhugh — and learn about the woman behind one of literature’s most beloved heroines.
Harriet the Spy, first published in 1964, has mesmerized generations of readers and launched a million diarists. Its beloved antiheroine, Harriet, is erratic, unsentimental, and endearing — very much like the woman who created her, Louise Fitzhugh.
Born in 1928, Fitzhugh was raised in segregated Memphis, but she soon escaped her cloistered world and headed for New York, where her expanded milieu stretched from the lesbian bars of Greenwich Village to the art world of postwar Europe, and her circle of friends included members of the avant-garde like Maurice Sendak and Lorraine Hansberry. Fitzhugh’s novels, written in an era of political defiance, are full of resistance: to authority, to conformity, and even — radically, for a children’s author — to make-believe.
As a children’s author and a lesbian, Fitzhugh was often pressured to disguise her true nature. Sometimes You Have to Lie tells the story of her hidden life and of the creation of her masterpiece, which remains long after her death as a testament to the complicated relationship between truth, secrecy, and individualism.
NEW YORK TIMES EDITORS’ CHOICE • An archive of collective memory and exuberant testimony A luminous map to navigate an opaque and disorienting present An infinite geography of possible futures
What does it mean to be Black and alive right now?
Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics.
In answering the question of what it means to be Black and alive, Black Futures opens a prismatic vision of possibility for every reader.
How do white queer people portray our own whiteness? Can we, in the stories we tell about ourselves, face the uncomfortable fact that, while queer, we might still be racist? If we cannot, what does that say about us as potential allies in intersectional struggles? A careful analysis of Dykes To Watch Out For and Stuck Rubber Baby by queer comic icons Alison Bechdel and Howard Cruse traces the intersections of queerness and racism in the neglected medium of queer comics, while a close reading of Jaime Cortez’s striking graphic novel Sexile/Sexilio offers glimpses of the complexities and difficult truths that lie beyond the limits of where white queer self-representations dare to tread.
Streetwalking: LGBTQ Lives and Protest in the Dominican Republic is an exploration of the ways that lesbian, gay, bisexual, trans and queer persons exercise power in a Catholic Hispanic heteropatriarchal nation-state, namely the Dominican Republic. Lara presents the specific strategies employed by LGBTQ community leaders in the Dominican Republic in their struggle for subjectivity, recognition, and rights. Drawing on ethnographic encounters, film and video, and interviews, LGBTQ community leaders teach readers about streetwalking, confrontación, flipping the script, cuentos, and the use of strategic universalisms in the exercise of power and agency. Rooted in Maria Lugones’s theorization of streetwalker strategies and Audre Lorde’s theorization of silence and action, this text re-imagines the exercise and locus of power in examples provided by the living, thriving LGBTQ community of the Dominican Republic.
After this dumpster fire of a year, I am very much looking forward to the holiday season. Christmas music, holiday movies, and baking are the distractions I need this year. So when I saw Mistletoe on sale on the iBooks store, I jumped at the chance to read what seemed like a sapphic Hallmark movie. The novella I read wasn’t entirely the wholesome love story I was expecting, but it was very festive and fun.
This romantic comedy starts with Santa Claus. Yes, you heard that right, Santa is a real person and so are all his elves in this novella about two grown women. Calamity strikes when one of Santa’s elves realizes that, many years ago, he missed one child’s Christmas wish. It was from a little girl named Diana who recently lost her parents and wants to find her soulmate. Diana’s an adult now, and Santa isn’t about to let anyone’s wish go unanswered. Together with an elf named Percy, the two set out to set Diana up with her soulmate Jamie. Hijinks ensue as the two women meet and fall in love.
One thing I really enjoyed about this book was the characters. Remember that this is basically a Christmas movie in novella form, so neither of them were super fleshed out, and that’s okay. Both of the two love interests were very distinct from one another. Diana was sweet and kind, while Jamie was bolder. Their dynamic was very interesting and they complemented each other well. It kept me reading to see how each of them would react to different situations. I also love that they actually ended up together long term. It’s always cool to see that in a queer romance. Jamie and Diana’s friends, the side characters, were also interesting in and of themselves. My personal favorite was Diana’s Aunt Brenda, who took her in after her parents passed away. For me, the characters were the strongest part of the novella, although it is worth mentioning that they were not a very diverse ensemble.
The weirdest part of the story were the jarring shifts in tone that happened throughout. It starts with a scene of Santa and his elves, so I settled in for a fantastical, wholesome romance. That’s what it was, for the most part, until the elf gets sauced and Jamie and Diana start picturing each other sexually after their kiss. Then, it’s back to Hallmark territory until a really out of nowhere scene that’s just a graphic description of Jamie masturbating. Back to PG-rated once again until two back to back erotica scenes in the epilogue. I want to make it clear that I have no problem with erotic fiction, I just thought it felt really out of place in what is otherwise a very tame Christmas fantasy romance. With this shortcoming, I also thought that the pacing was pretty off, especially for a story so short. The book goes from being day-by-day to skipping weeks and even decades at a time. I did enjoy where everyone ended up, but wish there was a little more buildup to everything that happened.
Overall, Mistletoe made me very happy because it showed that relationships between two women can be given the holiday movie treatment just like straight relationships can. Some parts did genuinely make me chuckle, and I enjoyed the dynamic between the two main love interests. I would have loved this book a lot more if the erotic scenes were cut out. Still, I would describe this book as escapist, festive, fun.