Tag: Maggie

Maggie reviews The Ruthless Lady’s Guide to Wizardry by C.M. Waggoner – The Lesbrary

Maggie reviews The Ruthless Lady’s Guide to Wizardry by C.M.

Ruthless Lady's Guide to Wizardry cover

Amazon Affiliate Link | Bookshop.org Affiliate Link

I have been so excited by all the f/f fantasy coming out lately, and The Ruthless Lady’s Guide to Wizardry is an excellent addition to the genre. It’s a fast-paced adventure story laced with a sweet romance, set in a sort of Victorian-inspired society with the addition of magic, trolls, and other fantastical elements.

Dellaria Wells is a fire witch and con artist from the bad part of town. With her mother being addicted to drugs, Delly has had to take care of herself from an early age, with greater or lesser success. Stuck between paying her rent and being cursed, Delly takes a wild chance and talks her way onto a gig with a team of female bodyguards to guard a high-class bride from assassination until her wedding day. Delly is anticipating an easy couple of weeks and a rich payday, but she didn’t count on multiple wizardous attacks, murder, or undead animal familiars. Soon after, Delly and her companions are embroiled in the underground drug market in a wild bid for justice (and a huge reward). Along the way, Delly is astounded to find herself having feelings for one of her fellow bodyguards, and, even more surprisingly, those feelings are reciprocated.

What I enjoyed most about this book was that it was a good, solid adventure story, but at the same time, the romance was so soft. Delly tries to talk a good game that she’s only out to set herself up in a good situation, but as a reader you know both characters fall head over heels almost right away. Delly is a funny, competent main character–able in her magic and confident on the streets–but she’s not prepared to dabble in the affairs of the rich. Winn, on the other hand, moves through life with well brought up confidence, but isn’t used to less than straightforward endeavors. She’s also utterly enamored with Delly. Watching them circle each other sweetly while embroiled in high stakes adventure is a treat, and I love how nice they are to each other. It doesn’t feel like as much as an afterthought or a grim plot device as fantasy romances often are.

I also thought the plot was really engaging. From the fish out of water element of Delly amongst the nobility to several ripping good fights to Buttons the undead mouse, I was never bored or waiting for something else to happen. The author has a clever turn of phrase that brings one into Delly’s point of view and sets up a lively mood. And Buttons is really a whole mood in itself. I also liked that Delly was frequently out of her element, but also very good at her job–she just needed an opportunity to prove herself.

In conclusion, this was a delightful read with a thrilling fantasy adventure plotline and a very soft romance. If you like Victorian-themed magic, excellent world-building, and girls having intense feelings for each other but wanting to go slow, this is a great add to your to-read list. I’m definitely going to be recc-ing it around to my friends.

Maggie reviews Upright Women Wanted by Sarah Gailey – The Lesbrary

Susan reviews The Lady’s Guide to Celestial Mechanics by Olivia

Upright Women Wanted by Sarah Gailey

Upright Women Wanted by Sarah Gailey is a western dystopian novella set in the American Southwest at a point when almost all food, gasoline, medical supplies, and other necessities have been rationed by the army, and the only books around have to be pre-approved by the government. Normally I think novellas have a tendency to fall flat for me, but I’m very intrigued by the spat of western-themed dystopian fiction that’s been put out recently, so I wanted to give it a try.

CONTENT WARNING: The story opens with a hanging. The main character, Esther, has just watched her friend Beatriz be hanged for possessing unapproved materials, and she knows she has to get out of town before a similar fate befalls her. So she hides away with the traveling Librarians, women who travel between small towns in the Southwest distributing approved books. It’s a place for women to exist without being married, and it’s away from her small town. Although initially unhappy with her presence, the Head Librarians Bet and Leda allow her to stay and set their assistant Cye to teaching her the ropes as they continue to deliver books to towns and carry out their secret mission of helping move contraband packages and people who need to leave. As Esther learns more about what it takes to be a Librarian and about her companions, it becomes clear that the Librarians are also a home to many sorts of people that would get run out of the small towns they go through, or worse, and as Esther learns more about their true mission, she’s left with more questions about herself and what she wants to do with her life.

As the main character, it is through Esther’s viewpoint that we see the Librarians, and at first I was frustrated by what seemed to be Esther’s willful obliviousness to what was right in front of her. She had had a whole relationship with Beatriz – not just an unrequited crush – and I couldn’t understand why she refused to acknowledge what was clear about the people she had fallen in with, even when they were right in front of her. But the more Esther revealed to Cye and later Amity, a fugitive that’s moving with them, the more I realized that this was a story about the trauma of having to live in fear of who you are and the consequences of being found out. A common enough theme in LGBT literature, but the rebellious queer western pastiche this was sold to me under obscured it from me to start with, and I think it is well done here in how it unfolds and how Esther herself has to realize the full extent of her trauma and how to navigate around it, especially for a novella. As things progressed, it was less the Librarian’s hidden duties that drew me on, but instead Esther’s progression of grappling with her past, present, and future.

I also thought it was interesting that Bet and Leda are present as queer elders, but it isn’t them that are Esther’s main mentors in coming into herself. Cye may mock her at first, but it is them and the outlaw Amity that end up helping Esther the most. Amity was also an interesting character to me, as an outlaw with competing streaks of deep pragmatism and compassion. I thought it was really interesting who here was most helpful to Esther and who had broader concerns than one timid girl.

As in all frontier or wilderness survival stories, I was super interested in the segments about Esther gaining the skills she needed to survive. Not only were there the expected segments about learning how to ride a horse or shoot a gun, there was a delightful segment where Esther tries her hand at learning bookbinding. What I found charming about Esther was that, even laboring under her own personal trauma and confusion, she tried hard to learn or do the practical things that life in the southwest on the road demanded.

In conclusion, Upright Women Wanted is an interesting and entertaining novella, and worth your time if you’re interested in westerns. In my opinion it succeeds better than a lot of novellas do at fleshing out interesting characters within a condensed plot, and it hits the grim but somewhat hopeful dystopia notes without hammering them too hard.

Maggie reviews Girls of Storm and Shadow by Natasha Ngan – The Lesbrary

Maggie reviews Girls of Storm and Shadow by Natasha Ngan

Girls of Storm and Shadow by Natasha NganAmazon Affiliate Link | Bookshop.org Affiliate Link

I am always excited for queer fantasy, and I enjoyed the first book of the series – Girls of Paper and Fire – so I was quite excited to get to Girls of Storm and Shadow. Lei and Wren had been through so much in the first book, and I was excited to see how they’d come together in the aftermath. They had killed the King, and there was rebellion to shift power in the kingdom, and they were no longer concubines. There was a lot to build off, and a budding love story to watch. But Girls of Storm and Shadow had a very different tone from the first, not all of it an improvement, in my opinion. Although there was a lot of action, and it further revealed the extent of the rebellion against the King, it seemed to lack a lot of the urgency of the first book to me, although I’m still eager to see the final book.

The book picks up with Lei, Wren, and their band of escapees in the mountains, trying to gather up support for the rebellion. The book once again examines the trope of the pivotal figurehead of the rebellion, in that technically that is Lei, but she isn’t actually very helpful to them. The rumors of what happened in the palace have spread, making Lei into the Moonchosen, but outside of her title she has little power. She also can’t take care of herself in the mountains. Although she is the one that stabbed the King, she doesn’t actually know how to fight. Being from a common family, she has no useful political connections to bring to them. All of this forces Lei to play catch up, cramming weapons practice into their grueling trek, forcing herself to learn the survival skills the others know, and trying to glean the complicated politics of the rest of the realm. This is a fascinating twist on the usual “leveling up” montage the hero gets because the rebellion doesn’t actually seem to want her there all that much. On a personal level, the group likes her and is happy to teach her, but leadership seems to make no effort to include her into plans or, somewhat puzzlingly, change those plans to really capitalize on her presence. And the more Lei learns from being around rebellion leadership, the more she’s uncertain about what she’s signed on to do.

To my surprise after the smoldering intensity of the first book, Lei and Wren’s relationship quickly took a turn for the worse in the second book. Lei was still committed, but Wren distanced herself. She didn’t want to reveal their relationship to her father, and also didn’t appreciate Lei’s questions about her father’s intentions for the rebellion. And yet there’s also an ex that immediately pulls Wren’s attention once they come back into contact. Both of these storylines are not bad relationship storylines in general, necessarily, but they were not what I was expecting from the tone of the first book, and it left me disappointed in Wren.

There is also the typical second book of a dystopian trilogy “everything gets unbearably worse” happening, but it’s not just the rebellion’s prospects of winning that seem dim. As Lei tries to help them with their next moves, she realizes just how unprepared she was for the politics of the rebellion. She also learned how deep Wren is in those politics, and what she finds is not great. There are also some large discoveries that I don’t want to spoil, but that change things dramatically. I was prepared going into this book for things to get worse before they got better, but this book also seemed to take place over a relatively short period of time and yet get very little done. Up until the final act, it seemed they spent interminable amounts of times traveling during which there wasn’t as much action as I had come to expect from the first book.

In conclusion: this is very clearly the second book of a trilogy, and it took a very different tone from the first book. Wren and Lei’s relationship fell apart, the rebellion seems lackluster and barely better in ideals than the establishment, and a lot goes downhill at the end. But that’s pretty standard second book stuff, so I’ll reserve my judgement on the series as a whole until I see how the third book wraps it up. But this one was a little more difficult for me to get through than the first one.

Maggie reviews Girls of Paper and Fire by Natasha Ngan – The Lesbrary

Maggie reviews Girls of Paper and Fire by Natasha Ngan

Girls of Paper and Fire by Natasha Ngan

Content Warnings: Rape, kidnapping, physical violence

Girls of Paper and Fire by Natasha Ngan is a YA fantasy about Lei, a Paper Caste girl, who is forcefully taken from her family by the imperial guard in order to join the newest class of Paper Girls. Paper Girls are the most beautiful paper caste girls in the kingdom, chosen to serve the king as concubines for one year. Some of the girls are from the few influential paper caste families, offered to curry favor and bind their families closer to the power of the crown. Some of them are chosen from the country at large and either regard serving the king as an honor or believe the material benefits to themselves or their families are worth it. Lei, kept in line only through threats to her remaining family and already resentful of the imperial regime for previously abducting her mother, is caught between the rock of being forced to service the king when her mind and body revolt against the very idea and the hard place of the strict new realities of her life that she cannot escape.

Once in the palace, Lei struggles, not only with her lessons, but also with the company of the other girls. The noble girls not only have a head start on the knowledge and skills expected of a Paper Girl, but they’re not eager to include Lei in their social circles. They’re used to having maids and fancy clothes and performing courtly graces, and every time Lei struggles or makes a mistake, mockery and taunting is sure to follow. Some of the girls are also eager to be there, either from a desire to serve the king or for the status and benefits being Paper Girls will bring them and their families, motivations which Lei has trouble understanding. Lei becomes friendly with one of them, Aoki, but Lei constantly has to watch herself around her because Aoki is truly enamored of the idea of serving the king and won’t hear of Lei’s very real horror of the man. Being set adrift in a hostile environment would be tough enough, but Lei’s mental anguish at being used by the king is chilling. Paper Girls don’t have the ability to refuse to become Paper Girls, or to refuse a summons by the king when they’re in the Palace, so they don’t have the ability to truly consent, and Lei’s horror at her lack of agency causes her to panic and react in unpredictable ways. CONTENT WARNINGS: While this book does not depict the physical act of rape in lurid detail, it does occur and neither does it draw a curtain at the door to the king’s quarters. There’s physical violence, mental and physical intimidation, and general bad times along those lines.

Lei’s lack of agency is emblematic of the Paper Caste as a whole’s lack of agency. Despite the existence of a few high-status families at Court, as evidenced by some of the other Paper girls, most of the Paper caste is oppressed and taken advantage of by the Moon and Steel castes. What I really enjoyed about this novel besides the world-building was that Lei is actually a late addition to the plot to overthrow the King leading such a cruel system and make a better kingdom. They weren’t waiting for a prophecy or a chosen one, Lei’s violent yet inept rejection of her own fate literally bumbles into a well-laid and intricate conspiracy that is already in place and wasn’t looking for any other help. In fact, they would rather she just keep her head down and not mess them up, because she doesn’t have the training for this, which of course, Lei does not do. It’s an interesting change from the common Chosen One formula.

Also interesting is Wren, a fellow Paper Girl. Lei is fascinated by Wren, who is withdrawn but kind, unlike the other wealthy Paper Girls. Wren is a part of the resistance, trained from childhood and planted among the Paper Girls to gain access to the King. Wren also has to let herself be used, and she empathizes with Lei’s reactions. She alone among the resistance thinks that Lei should be included and possibly help them. Along the way, their relationship becomes physical as well as emotional, as they bond over the pressure cooker of their environment.

Girls of Paper and Fire is a great beginning to a series. The world-building is intricate and interesting, and it turns the Chosen One as Rebellion Figurehead trope on its head. Although there is lots of serious content, it handles it well, and the physical relationship between Wren and Lei mirrors the intense emotional pressures they both face. If you like fantasy YA series, you could do worse than look here.

Maggie reviews Things Hoped For by Chencia C. Higgins – The Lesbrary

Susan reviews The Lady’s Guide to Celestial Mechanics by Olivia

Things Hoped For by Chencia C. Higgins

I picked up Things Hoped For at the beginning of the year, out of a list of f/f romance coming out this year, I believe. Or maybe Black romance authors? Perhaps Black LGBT authors. There were a lot of lists floating around Twitter in March/April, and I bought a lot of books, both to support authors and because I suddenly had a lot more reading time on my hands. I was excited to see a butch woman on the cover, and as a novella, so the trope of the day is instant connection, which means instant gratification on cuteness, which was exactly what I want a lot of right now. I haven’t read the rest of the series, since they are M/F and I wanted to skip right to the F/F, but it was easy to get into, and Xeno and Trisha, the main characters, are adorable together. If you’re looking for a romance novella, I highly recommend picking it up.

First of all, this is a relocation romance. Trisha wants to move away from her rural hometown in order to be around a bigger circle of queer community than her area offers. As a massage therapist, her skills are easy to transfer to Houston, and she knows people in the area, presumably the people from the afore-mentioned M/F books. She’s excited to be in a bigger city and be able to meet new people and find a wider LGBT community. I really love the possibilities here, and the journey for more community is a familiar for a lot of us. When her friends in town invite her to see a concert by queer, butch rapper Xeno, she leaps at the chance to go. Xeno is a rapper who has firmly established herself on the Houston circuit and is ready to expand her audience. A savvy businesswoman with a firm grasp on all aspects of her music career, Xeno is nonetheless somewhat shy around people she doesn’t know. A chance encounter with Trisha backstage is instantly enchanting for both women.

This is also a romance about someone dealing with rising fame. A major rapper samples Xeno’s work in an interview and suddenly her popularity skyrockets outside of her Houston circuit, and she’s booking gigs out of state. She finds the increasing fervor of her fans outside of concerts disconcerting, even as she revels in the energy onstage. But Trisha is outside of that, and their growing relationship is lowkey, hot, and super cute. They go on super adorable dates and are very soft with each other. And Trisha’s career means she can schedule patients and be able to travel to Xeno’s concerts. They’re very cute and when they get together the sex is very hot. There’s not a whole lot of conflict here, but that’s pretty standard in romance novellas, when entertainment is the name of the game.

In conclusion if you’re looking for a quick, hot f/f read, you could do worse than to pick up Things Hoped For. It’s steamy, it’s familiar and comforting to everyone that’s had to relocate to find queer community, and it’s entertaining. I had a thoroughly good time reading it, and I recommend that you do too.

Maggie reviews Maybe Charlotte by Louise McBain – The Lesbrary

Maggie reviews Maybe Charlotte by Louise McBain – The Lesbrary

Maybe Charlotte by Louise McBain

Maybe Charlotte by Louise McBain came out December 10 from Bella Books. For full disclosure, a review copy of this book was sent to The Lesbrary for a possible review, but honestly this book was a great time, and I’m glad it came to my attention. This book is also apparently a sequel, but that made no nevermind to my reading experience, so feel free to jump right in.

What caught my interest from the get-go was the summary and general set-up: Charlie Kincaid has moved to DC from Maine with her twin brother, in part, to escape the range of her ex-girlfriend Madison, with whom breaking up never seems to stick. She’s also trying to escape the range of Madison’s trendy bakery and their hit marketing win, the Charlie Pie. What no one else except Madison knows is that the Charlie Pie is named after Charlie’s vagina, and hearing radio commercials about it is the straw that drives Charlie, now going by Charlotte, to move. Charlotte and her twin move into the guest house of their Great Aunt Wellesley, who is an extremely famous but also extremely reclusive artist. At a piano bar to with her brother, Charlotte meets Lily, and she feels an instant connection, but will it have a chance to grow when there are constant hijinks happening with her twin and the charity gala he’s organizing, Great Aunt Wellesley, her job, and of course, Madison, who contrives to insert herself in Charlotte’s life even from states away. From a manipulative ex to the casual decadence of Great Aunt Wellesley, this book was packed with action and drama.

There was a lot I really liked about this book, but perhaps what I liked most was just what a general good time it was. There’s no possible way to describe all the twists and turns crammed into the plot, but at several points I gasped in delight. I guess when your starting baseline is a baked good named after a vagina, you have to go big to elevate the tensions, and there’s multiple characters determined to do their part in keeping things interesting. For one thing Madison, the creator of the Charlie Pie, isn’t deterred by her ex crossing state lines, and her shenanigans just don’t stop. For another, Charlotte’s twin brother Daniel is determined to live his most dapper gay life now that’s he in DC and not in Maine, and for another he is arranging a huge charity benefit, which is always good for drama. And finally there is Great Aunt Wellesley, who is perhaps my favorite character. More books should feature eccentric older lady artists and their harem of older gentlemen, I feel, because she added a delightful layer of commentary and experience to the whole mix. It’s a great mix of characters and wildly entertaining circumstances, and I was pretty much enthralled the whole time.

Charlotte and Lily are also a cute couple, once they get together. They go through a few bumps before they do, but they can’t really compete with the constant low boil of drama that is the rest of Charlotte’s life. Luckily for Charlotte, Lily seems willing to overlook all of that and take a pragmatic view of things. I really enjoyed how solid they became once they got together, and how even the height of Madison’s manipulations never seemed to faze Lily. Between her twin and her great aunt, I felt like it was really good for Charlotte to fall for someone like Lily, and for Lily to have the opportunity to draw her hidden artistic side out from where it had been hidden in the more normal professional life she’d built up for herself.

In conclusion, this came to my attention via a review copy, but I would not have been sad or disappointed to have bought it for myself. Maybe Charlotte is out now, and I recommend it if you want a fun, distracting read for your holidays. Come for the romance and a plot summary featuring a pie named after a vagina, stay for Great Aunt Wellesley living her best life.

Maggie reviews A Memory Called Empire by Arkady Martine – The Lesbrary

Susan reviews The Lady’s Guide to Celestial Mechanics by Olivia

A Memory Called Empire by Arkady Martine (Amazon Affiliate Link)

I picked up A Memory Called Empire as part of my ongoing fling with space opera as a great antidote to quarantine. There’s something about complicated plots, action, and space, that is really great for pulling me out of my apartment and into a nice brain space right now. This was a lovely book, full of meticulous, engaging world-building, fascinating plot developments, and a really interesting look at identity. If you are at all looking for some space opera right now, add it to your list.

Mahit is the new ambassador from Lsel Station on her way to the Teixcalaanli Empire to replace a long-term ambassador who has been killed. But she is facing more problems than just figuring out a cause of death. Tiny, self-contained Lsel Station has survived by making sure skills and experience survive and are passed down via neurological devices called imago machines. Once successfully integrated with a compatible successor, the imago machines mean that the full years and experience of previous imago owners of that line are passed down and integrated into the host’s own personality. But the previous ambassador Yskander has, somewhat suspiciously, been avoiding coming back to the Station to update his imago file, and so the imago that Mahit has been fitted with is almost 15 years out of date. It then goes on the fritz almost immediately after she steps foot in the Empire. Which leaves Mahit woefully unprepared for the situation she is stepping into, Lsel Station diplomatic training relying largely on imago memory. And so, almost blind and with only the help of her liaison Three Seagrass, Mahit has to navigate a new culture, the politics around an uncertain line of succession, the Empire’s interest in imago machines, and the feeling that something even more dangerous than the upheaval happening in the City is coming.

What I really loved about this book was the slow, inexorable build of pressure. As Mahit slowly figures out what is going on, so does the reader. Mahit feels extremely disconnected from events and from her position, because of the malfunction of her imago machine. Its absence strips her of whatever pre-knowledge she might have been able to access about the political situation on Teixcalaanli, and her disconnect is the reader’s disconnect. It was delightful, peeling back all the plot layers. Who killed Yskander becomes what was Yskander up to before he died. The heating up of the Emperor’s successor becomes intimately involved with her own small station becomes a looming threat greater the politics of one city. And through it all is a delightful exploration of what constitutes a person’s self and how the imago machines affect them.

Also delightful is that this kind of sweeping political space opera turned out to be queer. Mahit’s continual struggles with identity and who she is with and without her imago machine already have a strong queer element in them, but her snarky, flirty relationship with her liaison Three Seagrass is refreshing. When it becomes more than just off the cuff flirting, I gasped in delight. This isn’t a queer romance for the ages or anything, but it adds another great layer to this wonderfully layered book. And if you’re looking for space opera in general, knowing one is queer is a great reason to steer towards it.

In conclusion, I started this book looking for some standard space opera and was inexorably drawn into amazing worldbuilding, an intricate plot that kept me guessing, and a queer relationship that I did not expect but embraced whole-heartedly.

Maggie reviews The Pull of the Stars by Emma Donoghue – The Lesbrary

Maggie reviews The Pull of the Stars by Emma Donoghue

The Pull of the Stars by Emma Donoghue (Amazon Affiliate Link)

I’m not going to lie, I did not know if I wanted to read The Pull of the Stars before I started it. I haven’t read a lot of Emma Donoghue before, and I wasn’t aware that The Pull of the Stars had an f/f relationship. I knew that a couple of my friends had liked it, and that it was about the Spanish flu pandemic, and I questioned whether I wanted to read a book about another pandemic while living through one. But it was a shorter read, and I do love historical fiction, and I’m trying this new thing during quarantine of reading books soon after they come out rather than three years later, and I’m glad I moved this one to the top of my to-read list.

The entirety of the book takes place over about three days, and most of it takes place in one small room of a Dublin hospital. Julia works long shifts at a hospital with no leave, and off shift she goes back to the house she shares with her brother, who was invalided out of the army with what is obviously a severe case of PTSD. Julia is a nurse in the maternity ward, but since the flu had become an epidemic, the hospital she works at has quarantined women with flu symptoms into one room with three beds, away from the other women, and Julia is assigned to this room, having previously gotten and recovered from the flu herself. Closed in together, Julia and her patients might as well be in their own little world–she can rarely even get a doctor to come in to assist in emergencies or to sign off on orders that Julia knows are right but doesn’t have the authority to do herself. It creates a very intense mood that distills down an already intense subject matter. In just the few days that the book covers, Julia deals with the full spectrum of birthing experience, from success to tragedy, with the flu heightening everything and making everything more difficult. Any book I read these days is an escape from my small apartment, but this time I read avidly, feeling connected to these characters who are also closed in and struggling and scarred in the face of overwhelming circumstances. Even simple things become more difficult when systems are overloaded, as we all well know now, and reading about Julia doing her best to do her job and help her patients was strangely cathartic.

The whole book isn’t about midwifery and plague though. When Julia arrives for her first shift at the beginning of the book, she is assigned a new runner, an orphan named Bridie Sweeney who has been sent by the nuns who attend to the hospital. Bridie has no nursing experience, but she’s willing to learn and is good with the patients. Her sunny eagerness and the joy she takes in even the small good things are an instant bright spot in the stuffy fever ward, and Julia finds herself taking Bridie under her wing and teaching her the beginnings of nursing. Alone and dependent on each other to get their wards through each night, Julia and Bridie grow closer and closer together in the crucible of the hospital. Julia finds herself opening up to Bridie, and also finds herself keenly drawn towards the other woman as she learns more about Bridie’s past. Now, since this review is appearing in a queer book blog, a discerning reader can probably guess the way this relationship is headed, but I, having done no research and knowing nothing about this book before starting it, did not, and it was delightful. For one endless night, things were getting better for Julia and Bridie, and they even stole enough space and time for themselves to breathe and dream, and it was so so good.

Vague spoilers:

Unfortunately, this is a book about a plague and the end of a war, and the dreams do not last. The flu doesn’t care about tragic backstories or hopes or dreams. Even as Julia rails against the lack of help she has to give her patients, and the circumstances that led to their present conditions, and the increasingly disturbing facts about Bridie’s childhood, all she can do is her best, which isn’t enough in the face of such overwhelming odds. But somehow, even though the ending was emotional and sad, it pulled it all together in a way that made me long for more. The Pull of the Stars was a fast read, a fascinating read, undoubtedly a difficult read, and yet an incredibly satisfying read. I connected with it on a personal level due to our current circumstances without it being too overwhelming, and in the end it was about the importance of doing what you can to keep going, and about the good you can do along the way. As an entry into the halls of f/f historical fiction, I heartily recommend it.

Maggie reviews Cinderella is Dead by Kalynn Bayron – The Lesbrary

Susan reviews The Lady’s Guide to Celestial Mechanics by Olivia

Cinderella is Dead by Kalynn Bayron

I was very excited to get ahold of this ebook, because I’ve been listening to a lot of YA audiobooks lately while doing other things, and so I’ve gotten on a fantasy YA kick. It’s great to read some exciting new releases and promote new books during a time when we all desperately need good distractions. Cinderella is Dead is not a re-telling of Cinderella, which is a trope that I do love but that I’m getting a tad bit weary of. Rather, it’s something I found even more exciting: imagining the consequences of a fairy tale after the tale, not just for the characters themselves, but generations down the line. Cinderella is Dead is perfect for those who want something more from the original Cinderella story.

The legend of Cinderella isn’t just a tale to the citizens of Lille. Rather, Cinderella was a real woman, and her legacy has grown and has been codified into the very law of the land. Every girl in the city must not only know the story by heart, but they are all commanded to dress up and attend a ball at the palace, just like Cinderella did. But rather than a romantic tradition, the events have been corrupted and used to control the citizenry by the corrupt monarchy. People pray to the spirit of Cinderella, not to wish for happiness, but to hope their daughters won’t be disappeared by the palace guard. Girls hope to find a suitor at the ball–but only because if they don’t they risk disappearing or being forced into menial labor. And they don’t get a choice about what man chooses them, or how he treats them after they get married. It’s truly a grim but intriguing imagining of how a beloved fairy tale could play out and be corrupted. CONTENT WARNINGS: this story deals with domestic violence, abuse, homophobia, human trafficking, and mentions of rape. The culture of Lille is dark, and its citizens who are not straight men go through a lot, which may seem like a lot in a book aimed at young adults, but what I find important is that our protagonists stand up to it, and meet and encourage other people to not accept these things as normal.

Enter Sophia, who harbors a forbidden love for her friend Erin, and a deep terror at being forced into a marriage where she will have no rights or say in her own life. Sophia refuses to accept the reality of Lille and wants to try to run away with Erin before the night of their own Ball when they’ll be trapped, but Erin can’t imagine taking such a risk and wants to do what is necessary to remain safe. The night of the Ball, Sophia is forced to flee by herself, and then she meets Constance, the last descendant of Cinderella’s Stepsisters. Confronted with new information about the true story of the Cinderella legend, and growing new feelings for a girl who is willing to fight by her side, Sophia has to decide how far she’s willing to go to create a better life for everyone in Lille.

It was really interesting to see not just the long-term effects of a fairy tale, but characters interacting with true events vs fictionalized versions. Over and over Sophia has to confront how the history she took as true but corrupted was actually propaganda from the start. And this book really took all the instantly recognizable elements of Cinderella–a blonde and beautiful Cinderella, glass slippers, the fairy godmother–and flipped them around while remaining firmly rooted in the original fairy tale.  The cover proclaims that Cinderella is Dead while Sophia stares out at us, Black, curly-haired, wearing the iconic blue Cinderella gown, but unabashedly, from page one, not interested in marrying a prince, and the story promptly drags us away from magicked pumpkins and mice and into witches, necromancy, and anti-royalist rebellion. In Lille, Cinderella was real, and her history was complicated, but her legacy is now Black, queer, and invested in taking down a tainted, misogynist monarchy.

I really enjoyed this book. It was a fun read, and the world-building and action picked up quickly. I really liked the slow peel-back of the Cinderella story, combined with how straightforward and brave Sophia and Constance were. [spoiler, highlight to read] I also really loved that Sophia had a first love, but then slowly realized she was more compatible with Constance. [end spoilers] The twists and turns managed to surprise me and keep me involved. It’s just a really good read, and we need more like it on the shelves, especially for young readers today.

Maggie reviews Unconquerable Sun by Kate Elliott – The Lesbrary

Susan reviews The Lady’s Guide to Celestial Mechanics by Olivia

Unconquerable Sun by Kate Elliott

When the author described Unconquerable Sun during a livestream as Alexander the Great but gender-swapped and in space, I instantly ordered a copy. Not only could I feel good about supporting an author and an independent bookstore, but a complicated queer space opera sounded like a perfect book to unplug with in an attempt to provide myself with engaging non-screen time. And so it proved to be. Fear not if you, like me, don’t know anything about Alexander the Great–I basically only know that he had an empire and had relationships with men–because while I’m sure that adds a layer of glee in for those in the know, the plot is perfectly understandable to those with no background knowledge. I was instantly drawn into the depth of world-building, the characters, and the unfolding opera of events until I found myself staying up way too late to plow through the last few chapters.

The Republic of Chaonia is currently ruled by queen-marshal Eirene, who brought Chaonia to prominence on the galactic stage through decisive military and diplomatic victories by driving the Phene and Yele out of their territory, and she is widely respected as a brilliant military leader. The book opens with her heir, Sun, winning her own debut military victory in a bid to follow in her powerful mother’s footsteps. Accompanied by her Companions–members of the other ruling houses sent to attend the queen-marshal and the heir as both a sign of cooperation and as political hostages, Sun tries to cement her own place in the line of succession, in the war to keep Chaonia free of the Phene, and in the power struggle constantly surrounding her. Throw in a royal marriage, numerous assassination attempts, and several more battles, and the action never stops. But Sun’s calm, decisive manner, and then ease with which she directions her Companions and those around her also serves to shepherd the reader through the action. It’s rich and exciting and complicated, but it’s not difficult to follow, which is a line many space operas fail to walk.

Besides having very clear and dynamic action scenes, Unconquerable Sun handily introduces a huge cast of characters and sets up some really great relationships. Besides the queen-marshal and her Companions and consorts and Princess Sun and her Companions, the Companions can also have Companions, called ce-ce’s. Less political appointment and more highly trained employees, they nevertheless help make up Sun’s inner circle. Most of Sun’s Companions are set at the beginning of the novel, but it’s the assassination of one of her favorites, along with his ce-ce, that really sets up the crux of the interpersonal dynamics. Plucked from what she thought was a solid cover identity hiding from her family in the military academy, Persephone is given a new ce-ce, Ti, and shoved into the role as her House’s Companion replacement delegate to Sun with little warning and little preparation. As brash as Sun, but less experienced and less polished in diplomacy because of it, Persephone has to figure out what’s going and how to get free of the machinations of her family on while staying alive, and Sun has to figure out how far she can trust her new Companion and her ce-ce. Sun is also dealing with her relationship with one of her other Companions, Hetty, which has been ongoing for a while and must remain hidden, because an heir or queen-marshal is not supposed to show favoritism to a Companion, and she also knows that political marriage is likely in her future. Both her and Hetty’s feelings run deep, however, and their deep and abiding love for each other rings through every interaction they have. “When Hetty smiles, the universe smiles,” Sun thinks early on, and I love to see such a complex, no-nonsense character also act so smitten. The characters are rich and complex, and they become fully fleshed out as the action unfolds around them. It really drew me in and had me invested really fast.

In conclusion, Unconquerable Sun was an intricate and engaging space opera that I would not hesitate to recommend to anyone who likes sci-fi. It has all of the space elements that sci-fi fans crave, while retaining the complex, character-rich action that readers who want more of a saga will love.  Its queerness is woven into the very fabric of the story, from the setup of the court, to Sun’s relationship with Hetty. And it left me wanting more. This is an exemplary beginning to what promises to be an epic series. The queer space quarantine read that we all deserve right now.