Darcy Lowell has a few complications in her life. Between her overprotective brother and her rather disastrous dating life, Darcy has had enough. This becomes even more true when her latest date, arranged by said brother, goes completely awry and she decides not to share how badly it went. Instead, she pretends it was perfect. Except her date, Ella Jones, knows this is true and further, knows Darcy’s gone and lied about it. Why? Because even though our famous astrologist is looking for her own connection, she knows without a doubt that Darcy is not it.
However, Ella plays along with the subterfuge, embarking on a fake relationship with Darcy until New Year’s Eve. After all, Darcy’s brother is a business partner and Ella’s got family issues and things to prove as well. Except here’s the problem with fake relationships–they can all-too-quickly start to feel real.
I love the dynamic between Darcy and Ella. Darcy brings the grump and seriousness, while Ella is a lovely, bright star. Their characters are very much in keeping with the spirit of Darcy and Elizabeth from Pride and Prejudice and it’s honestly one of the freshest retellings in a year of so many.
I especially loved the side characters–Brenden, who will likely get a book, and Margo, who is pan, like me! The setting and timeline were also brilliantly managed and the love scenes were hot and perfect.
My only quibble is I wanted more and that’s not a bad complaint to have about a book. Lovely read – I am looking forward to more from this author.
Written in the Stars is probably hands down the most adorable contemporary romance I’ve ever read. To be fair, I don’t read a ton of books in this genre, but I’ve at least read enough to know that this one is something special!
I just spent twenty minutes trying to write an analogy comparing Written in the Stars to peppermint hot chocolate that wasn’t super cheesy, to no avail, so I’ve decided to channel my inner Elle and just.. go with it: Reading Written in the Stars was like sitting down with my first peppermint hot chocolate of the season. The story was warm, inviting, and familiar enough to be comforting, but it also felt new and unique enough that nothing about it felt stale or contrite.
One thing I really appreciated about this book was that it didn’t get mired down in extended mutual pining the way romance novels often do. Not that there’s anything wrong with slow burn romances, but sometimes I want to be able to relish in the actual togetherness of the characters instead of spending the majority of the novel wanting to push the two leads’ faces together like Barbie dolls, screaming “just kiss already!” The author did an excellent job of finding the sweet spot between insta-love and slow burn, and the result is a compulsively readable novel with an adorable opposites attract romance that felt totally realistic and incredibly satisfying. It’s also worth noting that while there was enough tension to sustain the plot, the angst never felt superfluous or like it was thrown in just for the hell of it.
My only complaint about Written in the Stars was that I wasn’t ready for it to end when it did! I really loved Elle and Darcy together, and while I understand that it’s not always realistic to include an epilogue when you’re planning a sequel that will likely pick up around the time the first book lets off, it doesn’t mean I have to be happy about it (I kid… mostly).
One more thing I want to state for the record, in case I’m not alone in this concern: I went into this read worried that my lack of astrological knowledge might be an issue, but my concern was completely unfounded! In fact, I think Elle’s narrative explanation of Darcy’s sun, moon, and rising signs helped me understand what the “big three” placements really mean better than any of the articles I’d read online.
In closing, Written in the Stars is a cute, quirky sapphic romance that is (for me at least) the book equivalent of a cup of hot chocolate and a warm hug. If this sounds like something there’s even a slim chance you might enjoy, then please give it a go. It was honestly wonderful, and now I’m definitely rambling, but I cannot recommend it enough!
ARC Note: Thank you to Avon and Netgalley for a digital ARC in exchange for an honest review. All opinions and terrible, cheesy analogies are my own.
Landice is an autistic lesbian graphic design student who lives on a tiny farm outside of a tiny town in rural Texas. Her favorite genres are sci-fi, fantasy & speculative fiction, and her favorite tropes are enemies-to-lovers, thawing the ice queen, & age gap romances. Landice drinks way too much caffeine, buys more books than she’ll ever be able to read, and dreams of starting her own queer book cover design studio one day.
I’m not going to lie, I did not know if I wanted to read The Pull of the Stars before I started it. I haven’t read a lot of Emma Donoghue before, and I wasn’t aware that The Pull of the Stars had an f/f relationship. I knew that a couple of my friends had liked it, and that it was about the Spanish flu pandemic, and I questioned whether I wanted to read a book about another pandemic while living through one. But it was a shorter read, and I do love historical fiction, and I’m trying this new thing during quarantine of reading books soon after they come out rather than three years later, and I’m glad I moved this one to the top of my to-read list.
The entirety of the book takes place over about three days, and most of it takes place in one small room of a Dublin hospital. Julia works long shifts at a hospital with no leave, and off shift she goes back to the house she shares with her brother, who was invalided out of the army with what is obviously a severe case of PTSD. Julia is a nurse in the maternity ward, but since the flu had become an epidemic, the hospital she works at has quarantined women with flu symptoms into one room with three beds, away from the other women, and Julia is assigned to this room, having previously gotten and recovered from the flu herself. Closed in together, Julia and her patients might as well be in their own little world–she can rarely even get a doctor to come in to assist in emergencies or to sign off on orders that Julia knows are right but doesn’t have the authority to do herself. It creates a very intense mood that distills down an already intense subject matter. In just the few days that the book covers, Julia deals with the full spectrum of birthing experience, from success to tragedy, with the flu heightening everything and making everything more difficult. Any book I read these days is an escape from my small apartment, but this time I read avidly, feeling connected to these characters who are also closed in and struggling and scarred in the face of overwhelming circumstances. Even simple things become more difficult when systems are overloaded, as we all well know now, and reading about Julia doing her best to do her job and help her patients was strangely cathartic.
The whole book isn’t about midwifery and plague though. When Julia arrives for her first shift at the beginning of the book, she is assigned a new runner, an orphan named Bridie Sweeney who has been sent by the nuns who attend to the hospital. Bridie has no nursing experience, but she’s willing to learn and is good with the patients. Her sunny eagerness and the joy she takes in even the small good things are an instant bright spot in the stuffy fever ward, and Julia finds herself taking Bridie under her wing and teaching her the beginnings of nursing. Alone and dependent on each other to get their wards through each night, Julia and Bridie grow closer and closer together in the crucible of the hospital. Julia finds herself opening up to Bridie, and also finds herself keenly drawn towards the other woman as she learns more about Bridie’s past. Now, since this review is appearing in a queer book blog, a discerning reader can probably guess the way this relationship is headed, but I, having done no research and knowing nothing about this book before starting it, did not, and it was delightful. For one endless night, things were getting better for Julia and Bridie, and they even stole enough space and time for themselves to breathe and dream, and it was so so good.
Unfortunately, this is a book about a plague and the end of a war, and the dreams do not last. The flu doesn’t care about tragic backstories or hopes or dreams. Even as Julia rails against the lack of help she has to give her patients, and the circumstances that led to their present conditions, and the increasingly disturbing facts about Bridie’s childhood, all she can do is her best, which isn’t enough in the face of such overwhelming odds. But somehow, even though the ending was emotional and sad, it pulled it all together in a way that made me long for more. The Pull of the Stars was a fast read, a fascinating read, undoubtedly a difficult read, and yet an incredibly satisfying read. I connected with it on a personal level due to our current circumstances without it being too overwhelming, and in the end it was about the importance of doing what you can to keep going, and about the good you can do along the way. As an entry into the halls of f/f historical fiction, I heartily recommend it.
This book is sold as Bridget Jones meets Pride and Prejudice, and it does have nods to both of those, but it’s a delightful story all of its own. The story begins with Darcy and Elle having a disastrous first date. However, Elle is working with Darcy’s brother, so they can’t just pretend it never happened. After Darcy pretends to her brother that it went well in order to stop him setting her up again, she has to persuade Elle to fake-date. If you’ve read much romance you can probably predict most of the plot from there–shenanigans as they play up the romance in public and the inevitable development of real feelings.
As ever with this trope the “reasons” they fake date are a little dubious, but in this case it made sense within the story. It helped that both Darcy and Elle were very well realised characters. At the start of the book, Darcy appears to be anti-social, particular about her life and married to her work. Elle seems like a fun-loving free spirit. However, throughout the book we learnt more and more about them and they both became increasingly complex. We got to dive quite deep into their characters and the way their personalities interacted. They were very different–the book had both of their points of view, which I loved–and the way their contrasting personalities gradually came to complement each other was really well done. You got to see opposite points of view on several topics, which was fun. Both of them were also really sweet and likeable. I found it impossible not to root for them. Their romance was also well developed. It was really shown how much the characters came to like each other as friends as well as just being attracted to each other. This is something I find is often underdone in romance books, so I was pleasantly surprised by how well it was done here.
I also loved that both of the characters had other problems that they were working through, and that they both developed throughout the story. There’s a storyline about Elle’s relationship with her family, her business and one about Darcy’s past relationships. I will say some of this I found to be less interesting than other bits–for example, there’s quite a lot of astrology in this book, which personally I’m not super interested in. On the other hand, neither was Darcy, so the book did acknowledge the sceptic point of view.
The story is obviously quite focused on Elle and Darcy, but the side characters that were introduced were also given a lot of personality and I enjoyed reading about all of them. Elle’s best friend Margot and Darcy’s brother Brendan get quite a bit of page time, and it was really enjoyable to see the different ways they acted and were perceived in each of the points of view. Bellefleur did a great job of avoiding some obvious cliches for these characters too. All of their actions felt extremely realistic and character driven, rather than just to drive forward the romance plot (which can be another common pitfall of romance books).
There is some miscommunication in this book, so be aware if that’s something you dislike in romances. However, it’s very minimal, and I think it was justified well by the character’s backstories.
Overall this was a lighthearted read that I got through very quickly, and the most enjoyable romance I’ve read in a while. If you’re looking for a sweet sapphic romance you should definitely pick this up when it comes out!
A new online ad for British retailer Argos shows a Black two-mom family and their two kids transforming a boring backyard movie night into something special after a home delivery from the company.
“Are you good? Or are you good to go?” asks the ad, part of a series that has been running on social media through the summer. Created by advertising agency The&Partnership, it’s “a fun-filled campaign aiming to inspire viewers with the idea that any day can be turned into a great one with a bit of imagination and Argos’ same day home delivery.”
As PinkNews reports, however, the ad has drawn negative comments from homophobes and racists. I won’t spread them further by reposting any here; they’re the usual drivel from people suddenly upset that they don’t see themselves reflected in every single ad everywhere. Many other people, however, showed their support on social media for the ad and the company. Argos itself stood firm, with a tweet stating simply and clearly, “We’re proud to represent a diverse and inclusive Britain in our advertising.”
Enjoy the ad—and whether you spruce up your backyard from Argos, from another retailer, or just from your own belongings and creativity, may you have as much joy in your socially distant family fun nights as this family does!
A new picture-book biography of Pete Buttigieg chronicles his life from his birth in Indiana to his groundbreaking run as a presidential candidate.
Mayor Pete: The Story of Pete Buttigieg, written by Rob Sanders and illustrated by Levi Hastings (Henry Holt), begins during a “record-setting snowstorm” in South Bend, Indiana, as his parents welcome their new baby. “Only time would tell” who he would become, Sanders writes, a theme that recurs throughout the book as we follow the hard-working Buttigieg (referred to as “Pete” or “Mayor Pete”) through high school, college, world travels, learning about business, and being inspired to a life of service. We see him fail and then succeed both in a race for high school class president and later, in running for public office, where he lost a race for state treasurer before being elected mayor of South Bend.
We read of how the city gained a “new outlook,” during his first term as mayor, with “innovative industries” and “a community that welcomed all people—no matter their age, race, gender, religion, culture, or sexual orientation.” After serving in Afghanistan with the Navy Reserves and beginning a reelection campaign once he returned, Mayor Pete realized, however, “He had stood up for the rights of others but had never told the whole truth about himself.” He came out as gay in the local paper, writing, “It’s just a fact of life, like having brown hair, and part of who I am.” This honesty “was a win for Pete,” Sanders assures us, although some thought it would mean a loss as mayor. “Only time would tell,” we read again—although as it turns out, he won.
He then met teacher Chasten Glezman. “A friendship sprouted” between them, and they eventually fell in love, started a home, adopted dogs, and married. Hastings gives us a joyous full-page image of the two men kissing at their wedding.
Mayor Pete’s desire to serve kept him moving forward, however, and he soon thought about running for president, driven by his idea of “what America could be.” The book ends with Mayor Pete announcing his candidacy, and the observation that “Only time will tell who Pete Buttigieg, presidential candidate, will become.” It’s a smart way to end a book that was finished in May 2019 and fast-tracked for publication, as Sanders confirmed with me—well before Mayor Pete won the Iowa Democratic Caucuses but shortly thereafter dropped out of the race—and it may serve to inspire young readers on their own journeys of self-discovery and service.
This is a picture-book biography that appropriately takes a broad-brush approach to Mayor Pete’s achievements, almost completely skipping his business career and offering examples of mayoral duties that children can understand, like helping the city face snowstorms and floods, showing up for festivals and ribbon cuttings, officiating weddings, and reading to students. Throughout the book, Sanders poetically weaves in images of Indiana’s weather, seasons, and harvest. When Pete and Chasten meet, for example, “like Indiana sweet corn, a relationship began to grow.” It’s a nice way to ground the book in Pete’s midwestern roots and helps elevate it above many drier biographies for children.
An afterward gives further details about Mayor Pete’s distinction as the first out gay Democratic presidential candidate, the first millennial candidate, and the first veteran of the war in Afghanistan to be a candidate. It also provides a helpful lesson on how to say his last name, information on the requirements to be president, and a timeline of his life through April 2019. Hastings’ illustrations are heavy on patriotic red, white, and blue, brightened by a warm yellow that evokes both Indiana corn and Mayor Pete’s presidential campaign colors. Mayor Pete and his family are White; the people he encounters are an assortment of races and skin tones.
I couldn’t believe that this novel, The Stars and the Blackness Between Them, was a debut work! It was so poetic and lyrically written, and Petrus painted such a vibrant picture into the lives of Audre and Mabel. This story has two primary voices: Audre, a teen from Trinidad who is now living in Minneapolis, and Mabel, who quickly takes to showing Audre what being in an American high school is like.
I enjoyed this book for many reasons, but particularly by learning more about Trinidad through the eyes of Audre, as well as what she misses about home. I’m not very familiar with Trinidadian culture in my personal life; and I always appreciate it when books are written in a way that allows me to learn without feeling condescending or just out of place with the rest of the work.
This is a young adult romance that is written in a way that acknowledges the complexity and emotional depth that people in their teens have. It can be seen as a beautiful time to be experiencing all of the intricacies of love and dating, and this book is a beautiful experience to read. There are other elements of racial justice that fit in very well to the current political climate. I will definitely look for upcoming releases from Juanada Petrus.